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Damrongmanee, Monthira; Rojanaatichartasakul, Seehhazzakd – LEARN Journal: Language Education and Acquisition Research Network, 2023
The art review is a genre that describes the artwork under discussion, educates its readers, as well as interprets and evaluates the work. It is a genre that plays a crucial role in the art community as it publicizes art, promotes artists, educates the public and enhances their appreciation of art. This study investigates this underexplored genre…
Descriptors: Art, Artists, Art Criticism, Art Appreciation
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Gandelman, Claude – Visible Language, 1989
Defines the scope of research concerning "inscriptions in painting" from a semiotic point of view. Shows that in cases from medieval pictograms to modern new concreteness inscriptions are used to subvert the pictorial content of art works. (RS)
Descriptors: Art Criticism, Art History, Art Products, Painting (Visual Arts)
Cary, Richard – 1999
This paper describes postmodern theory as a paradigm composed of concepts and ideas. It does not describe postmodern theory as if it were developed logically from a simple premise, because it was not, nor can the postmodern paradigm be described in neat, concise terms. The paper presents a review and explication of postmodernism's theoretical…
Descriptors: Aesthetics, Art Criticism, Art Expression, Art History
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Zurmuehlen, Marilyn – Art Education, 1992
Examines postmodernist art and its impact on architecture and visual art in the United States. States that this genre of art has affected dramatically object art, such as furniture design. Contends that postmodernism can be traced through societal and personal histories. (CFR)
Descriptors: Aesthetic Values, Architecture, Art, Art Appreciation
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Edwards, M. D. – Art Education, 1991
Considers the true value of art by outlining a number of factors that determine the price of a painting including the fame of the artist, the time of the artist's death, and the age of the work. Concludes that students should be encouraged to consider the emotional, aesthetic, and intellectual worth rather than the monetary value. (KM)
Descriptors: Aesthetic Values, Art Appreciation, Art Criticism, Art Education
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Anderson, Tom – Art Education, 1991
Explores the sources of art criticism and reviews some extant pedagogical models. Outlines the content skills to be developed and the role of art criticism in a discipline-based teacher training curriculum. Recommends that art criticism should incorporate pedagogy and other disciplines of art. (KM)
Descriptors: Art Criticism, Art Education, Art History, Art Teachers
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Stinespring, John A; Steele, Brian D. – Art Education, 1993
Recommends using an activity-based approach to art history similar to that of the "new social studies" movement of the 1960s. Provides suggestions for activities related to art criticism, style, and inductive learning. Concludes that student activities can help integrate art history and studio art in art education programs. (CFR)
Descriptors: Art Activities, Art Appreciation, Art Criticism, Art Education
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Henley, David R. – Journal of Art and Design Education, 1994
Examines five different examples of scribble art with the purpose of entering the experience of the scribbler through empathetic understanding. The participants include a schizophrenic adult; a blind, deaf, and autistic 10-year old; a known artist; a precocious 3-year old; and an elephant. Paper discovers commonalties in their efforts. (MJP)
Descriptors: Aesthetic Values, Art Criticism, Art Education, Art Expression
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Olds, Clifton – Journal of Aesthetic Education, 1990
Describes Jan Gossaert's painting of "St. Luke Painting the Virgin" and shows how it encompasses the intellectual pattern of early sixteenth-century thought. Discusses the arguments for and against the making of religious images and how artists overcame the potential threat to their livelihood from church authorities. Analyzes Gossaert's…
Descriptors: Aesthetic Education, Art Appreciation, Art Criticism, Art Education
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Eaton, Marcia Muelder – Journal of Aesthetic Education, 1990
Describes aesthetic views and shows how historical context and criticism are crucial for an understanding of aesthetic objects and experiences. Views education and art as providing a meaning for life. Suggests ways in which the author's theories and E. D. Hirsch's provide meaning for Sisyphus's life. (KM)
Descriptors: Aesthetic Values, Ancient History, Art Appreciation, Art Criticism
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Hagaman, Sally – Studies in Art Education, 1990
Traces major directions of feminist inquiry in the disciplines of art history, art criticism, and aesthetics. Explores how first- and second-generation feminist scholars have challenged the canon of each discipline and the understanding of art traditionally produced. Draws implications for art education in curriculum development and teacher…
Descriptors: Aesthetic Education, Art Criticism, Art Education, Art History
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Guilfoil, Joanne K. – Art Education, 1992
Defines the environment as both subject and context for art education and art as historical visual record of culture. Recommends that art education should include study of built environments such as schools and public buildings. Describes programs in which students designed and built sidewalks in Oregon and Kentucky. (CFR)
Descriptors: Aesthetic Values, Architecture, Art, Art Appreciation
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Murdick, William; Grinstead, Richard – Art Education, 1992
Contends that writing across the curriculum, including the visual arts, has become a major educational trend in the past decade. Argues that writing helps shape the processes of art criticism and appreciation. Includes suggestions for writing assignments and examples of student writing. (CFR)
Descriptors: Art Criticism, Art Education, Creative Writing, Curriculum Design
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Bresler, Liora – Visual Arts Research, 1994
Maintains that within the qualitative paradigm there are related approaches with distinct disciplinary and intellectual traditions. Examines three genres: (1) educational connoisseurship and criticism; (2) ethnography; and (3) action research. Asserts that understanding the assumptions, methods, and contributions of these genres can expand art…
Descriptors: Action Research, Aesthetic Values, Art Appreciation, Art Criticism
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Efland, Arthur – Journal of Aesthetic Education, 1990
Shows how discipline-based art education developed, and relates it to Thomas S. Kuhn's theory of paradigm shifts. Critiques Gilbert Clark, Michael Day, and W. Dwaine Greer's theory of disciplined-based art education and highlights mistaken notions in the inquiry methods of curriculum specialists. Concludes that art educators should focus on how…
Descriptors: Art Criticism, Art Education, Art History, Art Teachers
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