Toward the end of "Of the Standard of Taste," Hume summarizes what it means to be "a true judge in the finer arts." He says: "Strong sense, united to delicate sentiment, improved by practice, perfected by comparison, and cleared of all prejudice, can alone entitle critics to this valuable character." Hume is essentially right about what it means…

Stanley Fish wrote a column for the "New York Times" entitled "Will the Humanities Save US?" Here, Fish asserted that the humanities can't save humans, and in fact they don't really "do" anything, other than give pleasure to "those who enjoy them." This sustained shrug elicited a blast of energetic and…

During the eighteenth century, amateurs as well as philosophers ventured critical commentary on the arts. Talk concerning taste or beauty or the sublime was so much a part of general discourse that even novelists of that era incorporated such subjects in their work. So it would not be surprising to find that perspectives on aesthetics are…

The idea that education should equip people to lead flourishing lives and help others to do so is now becoming salient in policy-making circles. Philosophy of education can help here by clarifying what flourishing consists in. This essay examines one aspect of this. It rejects the view that wellbeing goods are derivable from human nature, as in…

In this article, the author analyzes Arthur Efland's "Art and Cognition," which advocates study of the visual arts for its cognitive benefits. The author argues that Efland's cognitive premises are largely sound but that his specific recommendations often belie the general principles he espouses. Efland focuses on the interpretation of baffling…

The author writes that the point made in this article is a simple, twofold one. First, if the test of time is a reliable, viable mechanism for assessing the value of works of art, and if the integrity of this test can be maintained even when indexed to a particular person, then it makes sense that this person should want to possess those works…

Among the harshest critiques ever received during my doctoral coursework came from a professor who was noticeably perturbed that I had researched and written a paper on an artwork without considering the title in the interpretation and analysis of the work. The professor insisted that the title is necessary to understand the piece. As a diligent…

Can there be an aesthetic difference between an original painting and its forgery if they are visually indistinguishable? Answers of different philosophers are critically examined with the conclusion that none of them is satisfactory. Although their "solutions" stem from different views of the nature of art, they have one thing in common: They all…

Updating the 1920s notion of Anthropophagy developed to symbolize through cannibalistic ritual the process of cultural assimilation that influences art, this article examines issues of naming, describing, and representing contemporary Brazilian art. In the first part of the article, the work of four contemporary Brazilian artists recently…

John Dewey's aesthetic has been invoked in recent discussions because many have realized that it resists the pull toward conceptualism that characterizes a great deal of aesthetic theory. Further, Art as Experience--Dewey's chief work on the philosophy of art--is rich with ideas that call for development. Richard Shusterman's work does just this…

Introduces this issue of the journal, which is devoted to new perspectives on critical histories of graphic design. Notes that the essays in this issue offer examples of the variety of interpretative approaches available that serve to question both the previously unchallenged acceptance of historical explanations and the transcendent understanding…

This essay sketches out the reasons for Clement Greenberg's influence and the relationship between his reception as a critic and the emergence of art criticism as a "discipline," a phenomenon that corresponds, as Amy Newman observes, with the early history of "Artforum". But it is much more than mere "correspondence." This essay also suggests,…

What can postmodernism do for, or to, educational research? The article discusses its potential for resisting closure and simplification. Developing a "preposterous", anachronistic postmodern method that is caught up with surrealism and the baroque, the article plays with "trompel'oeil" paintings and outmoded popular entertainments such as magic…

Discusses three recent texts dealing with images of African Americans in contemporary art and media, arguing that there is a lack of black critics who can truly fulfill the role of criticism and interpret culture to create popular appeal. Suggests that black critics must interpret art for whites and then re-interpret it for blacks. (BCY)

Analyzes and critiques the faith in the social powers of the arts which allows American intellectuals to maintain a loyalty to democracy in the abstract while deploring people's concrete cultural practices. Offers John Dewey's belief in "art as experience" as an alternative that can refigure and benefit American social thought. (SR)