Investigates the way that young children make aesthetic judgments about art works made by peers. Indicates that there are three phases in response formation: an initial response, a judgment based on more formal criteria, and an emotional response. Notes that children often needed prompting questions to reach the latter phases. (DSK)

Examines the influence of novelty of pose and facial expressions on college students determination of a photograph's artistic merit. Moderate novelty of poses and positive facial expressions received the greatest endorsement. However, some deviation occurred between considerations of artistic and photographic merit. (MJP)

Addresses three questions to characterize the discipline of art criticism and delineate its role in instruction: (1) What is a discipline? (2) In what sense is art criticism a discipline? and (3) How, specifically, is art criticism to inform educational practice? Links this discussion to assumptions in Discipline-Based Art Education. (DSK)

Maintains that young children enjoy talking about art and should be given opportunities to do so. Recommends using Parsons' Aesthetic Development Theory as a flexible framework and guideline for discussion. Includes several transcribed discussions between the teacher and her pupils. (MJP)

This document consists of the two issues of the journal "Visual Arts Research" published in 1995. This journal focuses on the theory and practice of visual arts education from educational, historical, philosophical, and psychological perspectives. Number 1 of this volume includes the following contributions: (1) "Children's Sensitivity to…

Maintains that within the qualitative paradigm there are related approaches with distinct disciplinary and intellectual traditions. Examines three genres: (1) educational connoisseurship and criticism; (2) ethnography; and (3) action research. Asserts that understanding the assumptions, methods, and contributions of these genres can expand art…