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Sinner, Anita – International Journal of Art & Design Education, 2019
"Artwork scholarship" is defined in this context as a forum for inquiry that involves artful expressions, innovative experimentation and critical propositions informed by aesthetic characteristics as well as customary approaches for the advancement of the arts and education. 'Latitudes' in turn take into account the adaptations of artful…
Descriptors: Art Expression, Scholarship, Inquiry, Innovation
Mariella Cassar-Cordina; Charmaine Zammit – Journal for Critical Education Policy Studies, 2024
Over the centuries, changes in technology and education have transformed people's attitudes towards the arts, making them more accessible. Bohemianism and modern art in the 18th century challenged the elitist perception of the arts, democratizing access. Digital tools and online resources have further opened doors to creating and experiencing…
Descriptors: Art Expression, Art Criticism, Educational History, Technological Advancement
Donna J. DiBartolomeo; Zachary Clark – Sage Research Methods Cases, 2016
In 2011, Donna DiBartolomeo and Zachary Clark enrolled in the Arts in Education Program at Harvard Graduate School of Education. Harvard Graduate School of Education is home to Project Zero, an educational research group comprising multiple, independently funded projects examining creativity, ethics, understanding, and other aspects of learning…
Descriptors: Visual Arts, Art Criticism, Art Expression, Adolescents
Pope, Nakia S. – Education and Culture, 2011
Dewey's aesthetics, expressed primarily in "Experience and Nature" and "Art as Experience", reorients aesthetics from art objects to aesthetic experience. Aesthetic experience is marked by continuity, especially the continuity between means and ends. In what follows, I will briefly outline Dewey's aesthetics with an eye toward the role of social…
Descriptors: Aesthetics, Experience, Popular Culture, Social Class
Galenson, David – National Bureau of Economic Research, 2009
Art critics and scholars have acknowledged the breakdown of their explanations and narratives of contemporary art in the face of what they consider the incoherent era of "pluralism" or "postmodernism" that began in the late twentieth century. This failure is in fact a result of their inability to understand the nature of the development of…
Descriptors: Artists, Rewards, Art Criticism, Art History
Dewhurst, Marit – Equity & Excellence in Education, 2011
Over the past two decades, there has been a marked increase in educational programs aimed to create art for social justice. From murals and plays to photographs and spoken word poetry, young people across the country are creating works of art that question, challenge, and aim to impact conditions of inequality and injustice. While these practices…
Descriptors: Social Justice, Art Education, Social Change, Educational Practices
Howard, Jim – SchoolArts: The Art Education Magazine for Teachers, 2009
Having students buy in to the relevance of a lesson is always a challenge, even in a graphic design classroom. In this article, the author describes an activity on designing skateboards. The most successful element of this project was the addition of assessment and criticism from an outside audience. The inclusion of an outside audience upped the…
Descriptors: Graphic Arts, Studio Art, Art Activities, Art Expression
Kelehear, Zach – International Journal of Leadership in Education, 2008
Recent teacher effectiveness research supports the notion that students learn best from teachers who can be characterized as managing both the craft and the artistic dimensions of learning. Additionally, there is a body of research that has examined possible strategies instructional leaders might use to support the development of the craft…
Descriptors: Handicrafts, Teacher Effectiveness, Art Criticism, Instructional Leadership
Garoian, Charles R. – Studies in Art Education: A Journal of Issues and Research in Art Education, 2008
This article explores "prosthesis" as a metaphor of embodiment in art-based research to challenge the utopian myth of wholeness and normality in art and the human body. Bearing in mind the correspondences between amputated bodies and the cultural dislocations of art, I propose "prosthetic epistemology" and "prosthetic ontology" as embodied knowing…
Descriptors: Art Education, Figurative Language, Human Body, Epistemology
Kamhi, Michelle Marder – Arts Education Policy Review, 2007
In this article, the author analyzes Arthur Efland's "Art and Cognition," which advocates study of the visual arts for its cognitive benefits. The author argues that Efland's cognitive premises are largely sound but that his specific recommendations often belie the general principles he espouses. Efland focuses on the interpretation of baffling…
Descriptors: Visual Arts, Art Education, Books, Cognitive Development
Erickson, Mary; Villeneuve, Pat – Studies in Art Education: A Journal of Issues and Research in Art Education, 2009
This descriptive study investigates the bases used to support judgments of artworks by preservice art teachers at two large universities. Bases art teachers might use to judge artwork range from personal preferences, to cultural expectations, to criteria drawn from values of various artworlds. The 26 preservice teachers in this study used a…
Descriptors: Preservice Teacher Education, Preservice Teachers, Art Teachers, Evaluation Criteria
Smith-Shank, Deborah L. – Journal of Gay & Lesbian Issues in Education, 2007
Hollis Sigler was an artist, teacher, and activist. Her works seductively invite us to consider fantasies and challenge to confront the monsters. Sigler's narrative artwork after 1991 focused almost exclusively on issues relating to her and her family's history with breast cancer. It purposefully calls into question the capricious nature of life…
Descriptors: Cancer, Artists, Profiles, Art Expression
Eggemeyer, Valerie – Art Education, 2004
In this article, the author focuses on Esther Parada's non-traditional use of the Web to communicate her art, and offers a critique of Parada's work, "Transplant: A Tale of Three Continents," and suggestions for critiquing Web art in the school classroom. Parada creates an intersection between this new medium and the more traditional medium of…
Descriptors: Internet, Art, Art Criticism, Art Education
Maclure, Maggie – Journal of Philosophy of Education, 2006
What can postmodernism do for, or to, educational research? The article discusses its potential for resisting closure and simplification. Developing a "preposterous", anachronistic postmodern method that is caught up with surrealism and the baroque, the article plays with "trompel'oeil" paintings and outmoded popular entertainments such as magic…
Descriptors: Postmodernism, Educational Research, Research Methodology, Art Expression
Kim, Nanyoung – Journal of Aesthetic Education, 2006
Since Discipline-Based Art Education (DBAE) began to advocate the teaching of art based on art subjects and knowledge rather than creative self-expression, the elements and principles of design have taken a firm place in various art curricula, textbooks, and national and state Visual Arts Standards. This article intends to trace the history of…
Descriptors: Elementary Education, Art Education, Design, Theories