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Ishiguro, Chiaki; Okada, Takeshi – Journal of Creative Behavior, 2021
Professional and amateur artists seek inspiration from viewing the works of others to enhance their creativity. This paper focuses on inspiration for artistic creation through art viewing by reviewing psychology studies on what types of artwork promote individuals' inspiration for creation (inspiring artwork) and how they experience inspiration…
Descriptors: Influences, Motivation, Art Products, Creativity
Rochovská, Ivana; Švábová, Božena – Problems of Education in the 21st Century, 2021
The research focuses on examining the use of the interpretation of works of art in pre-school education in three dimensions - the current state of the use of the interpretation of works of art, the opinions of kindergarten teachers on art, and the opportunities for kindergarten teachers to acquire knowledge about the theory and history of art in…
Descriptors: Preschool Education, Preschool Teachers, Teacher Attitudes, Art Products
Lori Anne Palmer – ProQuest LLC, 2022
Art Appreciation is often a course that undergraduate students take to meet their general education requirements. However, many students have little interest or value of art due to a lack of previous art experiences and often choose the course because they feel it will be relatively easy. This qualitative, naturalistic inquiry focused on students'…
Descriptors: Art Education, Art Appreciation, Teaching Methods, Aesthetics
Özalp Hamarta, Hatice Kübra – International Journal of Curriculum and Instruction, 2021
In this research, it is aimed to examine the perceptions of artwork of middle school 5th, 6th, 7th and 8th grade students within the scope of Art Criticism and Aesthetics learning field acquisitions in the Visual Arts Curriculum. This research is a qualitative research and was designed in the general survey model, which is one of the descriptive…
Descriptors: Middle School Students, Student Attitudes, Grade 5, Grade 6
Powell, Olivia – Journal of Museum Education, 2017
How can museum educators create dialogical experiences with European decorative arts? This question frames my essay and stems from the challenges I have faced introducing objects whose original functions seem to overshadow their aesthetic and interpretive value. Repeated efforts to spark rich dialogue and collective interpretation around pieces of…
Descriptors: Art Appreciation, Art Education, Art History, Art Products
Morris, Julia E. – Australian Educational Researcher, 2018
This study draws on student engagement factors to examine the relationship between students' non-school-based arts experiences on their intrinsic motivation and self-efficacy to participate in visual arts responding tasks. Visual arts responding in the curriculum includes learning about artists and artworks, decoding art and making critical…
Descriptors: Foreign Countries, Grade 10, Grade 12, Secondary School Students
Subramaniam, Maithreyi; Hanafi, Jaffri; Putih, Abu Talib – Malaysian Online Journal of Educational Technology, 2016
This study adopted 30 first year graphic design students' artwork, with critical analysis using Feldman's model of art criticism. Data were analyzed quantitatively; descriptive statistical techniques were employed. The scores were viewed in the form of mean score and frequencies to determine students' performances in their critical ability.…
Descriptors: Art Criticism, Studio Art, Graphic Arts, College Freshmen
Sanders-Bustle, Lynn; Williams, Rebecca – Art Education, 2013
Place is defined by Lippard (1997) as "temporal and spatial, personal and political. A layered location replete with human histories and memories, place has width as well as depth. It is about connections, what surrounds it, what formed it, what happened there, and what will happen there" (p. 7). Thus exploring place extends…
Descriptors: Artists, Art Products, Place Based Education, Art Education
White, Boyd – International Journal of Education & the Arts, 2011
This paper begins with a brief discussion of aesthetic theory, especially as it relates to art education. Then, to see how theory may apply to practice, it describes an investigation into the manner in which encounters with artworks unfold, how meanings are constructed and values articulated, based on the study of four volunteers' interactions…
Descriptors: Aesthetics, Experience, Art Products, Responses
Hunter-Lombardi, Brooke – SchoolArts: The Art Education Magazine for Teachers, 2009
In the August/September 2008 issue of "SchoolArts," the author talked about strategies for helping students develop content and good working habits to support making portfolio-quality pieces. In this article, she offers some tips which focus on the importance of critique, presentation, and selection of images to end up with a polished,…
Descriptors: Portfolios (Background Materials), Studio Art, Art Criticism, Material Development
Al-Amri, Mohammed – Journal of Instructional Pedagogies, 2010
Discipline-Based Art Education (DBAE), a theory developed in the USA, has been influential but also used in Art Education institutions world-wide. One of its stated goals was to develop the quality of teaching art education. Today, it is used as a theory for identifying and assessing good practices in the field of Art Education. The purpose of…
Descriptors: Foreign Countries, Art Education, Higher Education, Studio Art
Phillips, Lauren C. – Arts & Activities, 2009
During the author's undergraduate experience at the University of Georgia, the author discovered a local artist named Beverly Buchanan. She creates beautiful pastel drawings of shacks. Her shacks are not sad houses, but rich, vibrant dwellings filled with memories of people who once lived there. Buchanan also creates sculptures of shacks made from…
Descriptors: Art Activities, Studio Art, Art Products, Grade 2
Kelehear, Zach – Current Issues in Education, 2010
The degree to which instructional supervisors encourage reflection by teachers is in large part a function of both the supervisor's and teacher's use of the art of conversation. The author juxtaposes the Concern Based Adoption Model theory for innovation with the Feldman Method for art criticism to support reflection as aesthetic. Reflection that…
Descriptors: Supervisors, Supervision, Communication Skills, Interpersonal Communication
White, Boyd – International Journal of Education & the Arts, 2007
This article describes the learning experiences of three pre-service teachers within a university-level course entitled "Aesthetics and Art Criticism for the Classroom." Discussion is focused on the nature of the meaning-making that emerges from aesthetic encounters and its educational value. Specifically, what can pre-service generalist teachers…
Descriptors: Preservice Teacher Education, Art Criticism, Aesthetics, Art Education
Taylor, Pamela G.; Carpenter, B. Stephen, II – Journal of Aesthetic Education, 2007
Technological media catapults our perception into what Marshall McLuhan called "new transforming vision and awareness." As our lives become more and more immersed in such technologies as television, film, and interactive computers, we find ourselves inundated with a heightened sense of mindfulness--an aesthetic experience made possible through…
Descriptors: Art Criticism, Art Products, Aesthetics, Information Technology