In this essay, I share reflections on what it meant to teach my book of poetry in an introductory English literature class. The book took inspiration from the philosophy of Emmanuel Levinas, particularly his studies on encountering the other person. Engaging with this text (both the poetry and the philosophy), I consider some of the nuances of a…

The present climate of standardisation and quantification compels schools to deliver outcome-based curricula that measure educational success in terms of academic attainment and students' 'ability' to perform according to set criteria. Efforts to tackle educational inequality encourage conformity rather than address the underlying issues of the…

This book is intended for use by older beginning writers and visual artists. It is not intended to be a comprehensive guide to the complexities of the creative process. The document is a guide to opening and using the creative process in the later years of life. It is arranged in chapters that take the student through a learning process. Exercises…

Postulates that successful writing of all kinds depends on freeing the writer's imagination. Suggests techniques teachers can use to help students find their individual voice in writing, such as providing appropriate classroom proxemics, asking students to complete an evocative phrase, and having students critique each other's papers. (CJM)

Gifted elementary students from four rural school districts in northwest Wisconsin meet weekly in combined classes for instruction. Nontraditional methods are used to identify participants, local artists teach the sessions, expenses and expertise are shared by the districts, and students can interact with like-minded peers from other districts.…