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Marinkovic, Branka – International Journal of Art & Design Education, 2021
This article discusses research that employed practice-led and action research methods to study the tacit knowledge of painting practice and its application to teaching. Polanyi's theory of tacit knowledge is used to analyse the non-verbal, experience-based knowledge of painting to construct a discursive relationship between the dual practices of…
Descriptors: Action Research, Art Education, Painting (Visual Arts), Instruction
Zhu, Feng; Shao, Jie – International Education Studies, 2009
Painting modeling rules are constructed based on objective representing with material substances as the main body and the construction methods and orders are mostly limited to narrative viewing and expression, which, obviously, is not the best method. Logistic thinking in virtue of modeling art could gender a more "painting-like"…
Descriptors: Painting (Visual Arts), Models, Logical Thinking, Art Expression
Wasserman, Burton – Art Educ, 1970
Descriptors: Art Expression, Art Materials, Methods, Painting (Visual Arts)

Abrahamson, Roy E. – Art Education, 1980
A eulogy to art educator and researcher Henry Schaefer-Simmern, explaining his theory of gestalt visual conceiving and artistic cognition. (SJL)
Descriptors: Art Appreciation, Art Expression, Art Teachers, Biographies
Sommers, Sue – Art Teacher, 1973
Recommends that art projects for children encourage the opportunity to look.'' (DS)
Descriptors: Art Activities, Art Education, Art Expression, Art Materials
Mills, James C. – 1975
This paper argues that a major objective of art in the schools is to enhance visual perception and that there is a close correlation between school achievement and visual perception scores. Children's art growth is discussed, and it is argued that dittoed drawings and coloring books are harmful to this growth because they promote a narrow and…
Descriptors: Art Activities, Art Education, Art Expression, Creative Art

Armstrong, Carmen – Journal of the Association for the Study of Perception, 1981
Discusses the relevancy of visual arts programs to the development of the capacity for visual symbolizing. Explains the use of visual symbols to communicate at a very general level, to communicate accurately and specifically, and to communicate uniquely and expressively. Suggests schools not cut visual arts programs. (RC)
Descriptors: Art Education, Art Expression, Communication Skills, Educational Needs
Watts, Elizabeth – 1977
This book explores the relationships between movement and painting in order to better understand the nature of any relationship between dance and the visual arts. It begins with a look at early movements made by the infant and how these develop with the child's increasing sensory awareness and muscular control. Some comparisons are sought between…
Descriptors: Art, Art Expression, Dance, Fine Arts
Dade County Public Schools, Miami, FL. – 1973
The course outline has been prepared as a meaningful and practical approach to color. Mastery of Sppeedball Pen Lettering is a prerequisite for entry into the course. The purpose of the course is to teach the student the practices, techniques, and technology necessary to acquire an understanding of the color phenomenon. Consisting of 45 clock…
Descriptors: Art Activities, Art Education, Art Expression, Behavioral Objectives
Arizona State Dept. of Education, Phoenix. – 1976
This curriculum guide for grades K-12 is designed to help art teachers, classroom teachers, art consultants, and administrators develop and maintain art programs. The guide has four main parts, the first part containing an introduction and forward. Part two includes the rationale, the focus, and the components of an art education curriculum. Also…
Descriptors: Accountability, Aesthetic Education, Art Appreciation, Art Education