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Sher, Liz – Sage: A Scholarly Journal on Black Women, 1987
The International Sweethearts of Rhythm, a popular, long-lived, all-female jazz band of the 1940s, were the first racially integrated women's band in America. Their achievement has been largely neglected by music historians. A brief history of the band is presented, and their significance is discussed. (BJV)
Descriptors: Art History, Artists, Bands (Music), Biographies
Frye, Gladys-Marie – Sage: A Scholarly Journal on Black Women, 1987
Discusses the following aspects of the life and art of Harriet Powers (born 1837), a Black quilter from Georgia: (1) subject matter of quilts; (2) African continuity; (3) provenance of quilts; (4) Powers' personal history; and (5) historical context of quilts. (BJV)
Descriptors: Art, Art Expression, Art History, Artists
White, Annette Jones – Sage: A Scholarly Journal on Black Women, 1987
Describes a Black woman's personal experience of having her grandfather pass on to her his secret method of weaving cane chair seats. (BJV)
Descriptors: Art, Art History, Artists, Biographies
Kirschenbaum, Blossom S. – Sage: A Scholarly Journal on Black Women, 1987
Chronicles the professional and personal life of Nancy Elizabeth Prophet, a sculptor of Afro-American and Narragansett Indian descent, who achieved prominence as an artist and a socialite in both France and the United States beginning in the 1920s. (BJV)
Descriptors: Art, Art Expression, Art History, Artists
Thompson, Mildred – Sage: A Scholarly Journal on Black Women, 1987
Chronicles the life of the author, a Black woman artist, from 1974 to 1979. The essay covers her years in Tampa from 1974-77, her Artist in Residency at Howard University from 1977-78, and her preparations in 1978-79 to leave for Paris, where she would live and work until 1985. (BJV)
Descriptors: Art, Art Expression, Art History, Artists
Tesfagiorgis, Frieda High – Sage: A Scholarly Journal on Black Women, 1987
Afrofemcentrism--Afro-female-centered consciousness in the visual arts--has found its ideological and aesthetic fruition in the sculpture of Elizabeth Catlett and Faith Ringgold. They depict Black women's realities and portray Black women as primary, active, and real-typed. (BJV)
Descriptors: Afrocentrism, Art, Art Expression, Art History
LaDuke, Betty – Sage: A Scholarly Journal on Black Women, 1987
Chronicles the personal and professional life of Lois Mailou Jones, a Black woman painter who blends Western and non-Western aesthetic traditions in her art. The influences of Haitian and African native traditions on her work are discussed. (BJV)
Descriptors: Art, Art Expression, Art History, Artists
Bontemps, Arna Alexander; Fonvielle-Bontemps, Jacqueline – Sage: A Scholarly Journal on Black Women, 1987
Black women artists--from the sculptor Edmonia Lewis (born 1843/5) through the late nineteenth and early twentieth century, to the Harlem Renaissance--have played a vital role in developing those forms of self-expression by which Black people in America have managed to survive centuries of racial oppression. (BJV)
Descriptors: Art, Art Expression, Art History, Artists
Sage: A Scholarly Journal on Black Women, 1987
Presents photographs and short biographical sketches of notable Black women artists past and present, including the following: Elizabeth Taylor Greenfield, Leontyne Price, Florence Price, Ann Lundy, Katherine Dunham, Pearl Primus, Michelle Paterson, Augusta Savage, Glenda Y. Hooker, Marie L. Moore, Varnette Honeywood, Meta Vaux Warrick Fuller,…
Descriptors: Art, Art Expression, Art History, Artists