This essay explores two canonical installations at the Metropolitan Museum of Art: The Cloisters and African galleries in the Rockefeller wing. After providing a brief history of the formation of these collections and their display strategies, I analyze the effect of exhibition design for a visitor's judgments and impressions of the works of art.…

In this article, the authors argue that the art-historical canon, however it is construed, has little relevance to the selection of objects for museum-based teaching. Their contention is that all objects are fundamentally agile and capable of interrogation from any number of disciplinary standpoints, and that the canon of museum education,…

Visual art teachers have often been the producers and directors of their own curricula, turning to various resources and objectives (local, state, and national) to form their own sets of standards. Common Core State Standards (CCSS) have provided new opportunities to integrate the arts into content-based curricula. The author, a classroom art…