Described the development of Minimal Art, a composite name that has been applied to the scattering of bland, bleak, non-objective fine arts painting and sculpture forms that proliferated slightly mysteriously in the middle 1960's as Pop Art began to decline. (Author/RK)

Author commented on the papers by Rudich (AA 521 870), San Juan (AA 521 871), and Morawski (AA 521 872) presented in this issue of the journal. (RK)

Author outlined a pattern of events that, with chance, might bring arts in the western world, for the first time in 500 years, back towards the people. (Author/RK)

Author discussed the consciousness of art, suggested that there is too much talk about art, and presented art as it is valued and used from an assortment of different viewpoints. (RK)

Author presented his opinion of the positions of San Juan (AA 521 871) and Rudich (AA 521 870) while answering Dickie's comments (AA 521 873) and defending his previous paper (AA 521 872) in this journal. (RK)

De-architecturization is art about architecture, a catalyst suggesting that public art does not have to respond to formalist doctrine; but rather, may evolve from the informational reservoirs of the city environment, where phenomenology and structure become the fabric of its existence. (Author/RK)

Author described a show of dissident art held in Moscow on September 29, 1974, and contrasted the government's efforts to control artistic freedom with the determination of Russian artists to resist such imposition. (RK)

Discussed an effective mural program for the Mexican Americans of East Los Angeles. (Author/RK)

Described a many faceted arts program having a primary function as an arts and education agency in which arts programs and resources are developed for use in the schools. (Author/RK)

This essay applied the categories, primitive-feudal, industrial, transitional, and post-industrial, to the analysis of the contemporary cultural sphere, in relation to a specific social-technological phenomenon (leisure), with implications for arts policy. (Author/RK)

Article presented suggestions an arts council might use in representing the small community and its area in winning support, and success, for the arts. (Author/RK)

This paper attempts to analyse some of the relationships between perception, drawing and reality as one of the necessary preliminaries to new formulations of the art curriculum. (Author)