In this article, I reflect on how my positioning along axes of disability, race, and class shapes my interaction with dominant discourses of motherhood and on how these tensions are explored in "The Mother," a public installation of my artwork shown in 2023. Situating myself in the liminal space between participation in and resistance to normative motherhood ideology, I invite other disabled mothers--especially other cisgendered, heterosexual white women--to consider how they practice disabled mothering in the context of racial capitalism. Through both the installation and these reflections, I assert that visible disabled mothering can be a powerful act of community care and crip resistance.