At the NAEA conference in Minneapolis, Carpenter and Sessions asked, "What are we teaching, especially about ceramics?" Art educators are often criticized for leaving out historical context when teaching studio art. In this article, the author offers guidelines, based on national and state art standards, and share the results of teaching…

Depicts the instruction of a junior high school art teacher and describes her struggle to understand her students within a nine-week program. Focuses on her framework for understanding the aims and content of teaching, student learning, and teaching style. Content and comparative analyses and time sampling are used to determine types of…

This cross-site, collaborative study focused on the instructional practices of three middle school art teachers from Arizona, Indiana, and New York. The researchers found similarities as well as differences among the teachers' strategies. At all three sites, emphasis was on curriculum related to their students' lives, developing technical skills,…

Comments on the article, "The Unexplored: Art Education Historians' Failure to Consider the Southwest" (Peter Smith). Discusses art education sources on historical research that were omitted from the article. Addresses the difficulties in the value placed on historical research in the southwestern United States. (CMK)

Discusses the curriculum model developed by the Art Team, a part of the International Project Division at Arizona State University, that provided technical advice on preservice training for art teachers in Turkey. Provides an example of the model's success in which the students used exploratory art criticism to examine a tapestry. (CMK)

Explores the problems of teaching art to preadolescents by taking into account the experiences and reflections of the teachers, students, and the researcher. Uses cross-site analysis and categorizes the problems into three groups: (1) contradictions in student behaviors; (2) instructional demands; and (3) institutional contingencies. Includes…

This paper describes a microethnographic pilot study describing, analyzing, and interpreting how culture is transmitted and retained in one Navajo public school system. The study is both historically and educationally significant because it presents a portrait of the everyday realities of art teaching and learning in a school system during a…

Describes, analyzes, and interprets the cultural values communicated by a Navajo art teacher in a K-12 boarding school in New Mexico. Much of the Navajo world view is expressed through content, instruction, and demonstration. This view emphasizes spirituality, harmonious living, and the process of seeing and drawing as a way of honoring and…