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Nitsche, Michael; Gillett, Crystal – Design and Technology Education, 2020
"Prototyping Puppets" combines craft and performance in a puppet making STEM workshop for informal learning. We report on its final evaluation in two events (n=10 and n=13) to show how the design addressed black boxing of technology through a craft-centric approach and successfully engaged different student populations through an…
Descriptors: Puppetry, STEM Education, Workshops, Informal Education
Lee, Najuana P. – Studies in Art Education: A Journal of Issues and Research in Art Education, 2013
This mixed-methods practitioner inquiry aimed to facilitate transformative learning of individuals' racial attitudes. The focus of this research was to investigate what influence participating in a semester-long social justice art education studio course may have on preservice and practicing art educators' implicit (unconscious) and explicit…
Descriptors: Art Education, Race, Racial Discrimination, Mixed Methods Research
Rosenfeld, Malke; Johnson, Marquetta; Plemons, Anna; Makol, Suzanne; Zanskas, Meghan; Dzula, Mark; Mahoney, Meg Robson – Teaching Artist Journal, 2014
Writing about the teaching artist practice should mean writing about art making. As both teacher and artist, the authors are required to be cognizant of their own art-making processes, both how it works and why it is important to them, in order to make this process visible to their students. They also need the same skills to write about how and…
Descriptors: Art Activities, Art Education, Writing (Composition), After School Programs
Bain, Christina; Newton, Connie; Kuster, Deborah; Milbrandt, Melody – Studies in Art Education: A Journal of Issues and Research in Art Education, 2010
Four researchers collaborated on this qualitative case study that examined 11 first-year novice art teachers' understanding and implementation of meaningful curriculum. Participants were selected through a criterion method sampling strategy; the subjects were employed in rural, urban, and suburban public school districts. In order to conduct a…
Descriptors: Beginning Teachers, Art Teachers, Art Education, Curriculum Development
Hubbard, Kathy – Art Education, 2009
The purpose of this article is to articulate the rewards of being immersed in a different culture and the significant impact that it can have for art educators. Being immersed in a different culture encourages examination of cultural assumptions and prejudices. Without such an immersion experience, the natural tendency is to project onto others…
Descriptors: Elementary Secondary Education, Art Education, Artists, Foreign Countries
Hubbard, Kathy – SchoolArts: The Art Education Magazine for Teachers, 2009
This article describes an exhibit entitled "Critter Folk" for the Betty Foy Sanders department of art at Georgia Southern University. The theme of the exhibit is folk art "critters"--crocodiles, chickens, cows, snakes, elephants, cats--from the Smith Callaway Banks Southern Folk Art Collection. The organizers invited two…
Descriptors: Folk Culture, Visual Arts, Animals, Exhibits
Erickson, Karen – Teaching Artist Journal, 2004
In an effort to strengthen the authentic connection between theatrical work and classroom curriculum, the Alliance Theatre in Atlanta Georgia has taken a new direction in their arts education programming. They now put their Theater for Young People performances and scripts at the center of all their youth-centered outreach work, including teacher…
Descriptors: Art Education, Theater Arts, Organizations (Groups), Schools
Milbrandt, Melody K.; Felts, Janet; Richards, Brooke; Abghari, Neda – Art Education, 2004
In the spring of 2003, three Atlanta area high school art teachers implemented constructivist lessons to see how students would accept responsibility for their own learning and peer-teaching situations. Each teacher selected at least one class in which to implement a variety of constructivist strategies. The teachers then selected a goal in their…
Descriptors: Constructivism (Learning), Teaching Methods, Studio Art, Art Teachers
Kerr, Lynda C. – Art Education, 2005
National Board Certification is intended to indicate that "a teacher is judged by his or her peers as one who is accomplished, makes sound professional judgments about students' best interests, and acts effectively on those judgments." This author, the first National Board Certified Art Teacher in Georgia, offers a first-hand perspective…
Descriptors: Creative Thinking, Teacher Certification, Art Teachers, National Standards

Curtacci, Kathleen – Art Education, 1994
Describes recent educational history in relation to financial support for art education. Provides suggestions for acquiring art materials, teacher training workshops, and other funding sources. Encourages membership in professional associations and political activism to improve funding prospects for art education. (CFR)
Descriptors: Activism, Art Education, Art Materials, Art Teachers