Memories of our schooling and teaching experiences shape our curriculum and pedagogical decision-making process in art education when we become teachers and teacher educators. In this paper, using Hannah Arendt's Actor-Spectator Theory, I engage in retrospective critical introspection of my practices as an art teacher and curriculum developer in…

Since 2000, the impact of technologies on society has been critical, significant, and extensive. In this paper, the author explores art educators' perceptions and approaches to working with technology, in light of the emerging technology as a significant and increasingly prevalent art education tool, as a means of student communication, and as a…

The author's autobiographical poem [inspired by George Ella Lyon (1999)], marked the beginning of an arts-based inquiry into a question of identity that took further shape through a video-artwork, "The Evolution of an Art Teacher: Where I'm From." Arts-based research is a methodology that uses a myriad of forms and combinations of creative arts…

Some time ago, the author collected data for a study on students' experiences of preparation for assessment of their art portfolios at the high school level in Canada, England, and The Netherlands. Participants with whom the author had conversations in Canada described varied by mostly rewarding experiences. However, one student's description of…

Presents an example of art education as a means of social control. Examines a 1905 incident wherein children at South Park School in Victoria (British Columbia) were found to have ruled lines in their freehand drawing books. The school principal, Agnes Deans Cameron, was dismissed. (PAL)

Outlines historical trends in general education using a model developed by Arthur Efland. Discusses the integrated arts curricula of the 1960s in terms of their adherence to principles of the arts-in-education movement. Questions the widely accepted assumption that integrated arts provide art education with a nurturing curricular home. (CFR)

Maintains that research indicates that age is the primary factor influencing aesthetic response. Reports on a study of aesthetic preferences among 24 students at ages 8, 10, and 12. Finds that response style was a more significant factor than age. (CFR)

Describes, analyzes, and interprets the cultural values communicated by a Navajo art teacher in a K-12 boarding school in New Mexico. Much of the Navajo world view is expressed through content, instruction, and demonstration. This view emphasizes spirituality, harmonious living, and the process of seeing and drawing as a way of honoring and…

Investigates the connection between racism in the public school art curriculum and the ethnocentric ideas of George Zerffi. Zerffi lectured widely and taught art history to future art teachers in England, between 1868 and 1892. Although occasionally brilliant, his views reflected the ethnocentric ideology of Victorian England. (MJP)