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Congdon, Kristin G. – Studies in Art Education: A Journal of Issues and Research in Art Education, 2006
Folkvine.org is a website that presents seven Florida folk artists, three guidebooks, and several scholarly bobble heads that make commentary on humanities topics, the artists, and their work. This article analyzes the website as an arts-based research project. Topics covered address issues of representation, translation, learning processes, and…
Descriptors: Web Sites, Artists, Folk Culture, Universities
Congdon, Kristin G. – 1999
While creating an art form which is foreign to an artist's cultural expression may seem like taking a risk in today's world, it may provide a way to successfully negotiate a fulfilling living and working space on this diverse planet. Movement into a foreign space, often referred to as a border crossing, can be understood as a central meeting…
Descriptors: Art Expression, Art Products, Artists, Cultural Context
Freedman, Kerry; Congdon, Kristin G. – Studies in Art Education: A Journal of Issues and Research in Art Education, 2005
This article is based on nearly 25 years of working with and studying folk art and folk artists. While certified art educators and their university teachers may think they are inclusive in their understandings about art and learning processes, generally speaking, they are either unaware or tend to ignore folk artists' ways of understanding the…
Descriptors: Art Teachers, Art Education, Artists, Folk Culture

Congdon, Kristin G. – Art Education, 2000
States that the art of recycling has more to do with connecting people with objects, traditions, and rituals than sustaining the natural environment. Discusses some lessons learned in four categories: (1) recycling as self-sufficiency; (2) recycling as renewal; (3) recycling as a spiritual activity; and (4) recycling as aesthetic transformation.…
Descriptors: Aesthetics, Art Education, Art Expression, Art Materials

White, John Howell; Congdon, Kristin G. – Art Education, 1998
Illustrates the difficulty in trying to establish clearly defined categories between art forms. Addresses the problem through discussions of three artists: Malcah Zeldis, Mabel Burkholder, and Keith Haring. Suggests that a travel metaphor grants people a flexible and historically-oriented way to speak about artwork and art categories. (CMK)
Descriptors: Aesthetic Values, Art Education, Artists, College Students