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Kelly Bartlett; Jery Y. Huntley; Janelle A. Schwartz – Journal of Folklore and Education, 2023
In this story collected and shared as part of the OurStoryBridge online short-form oral history project from the Tremonton City Library in Tremonton, Utah, Parry recalls learning Shoshone history and culture from stories that his grandmother, Mae Timbimboo, told him. Parry recounts his excitement in elementary school when he heard that Shoshone…
Descriptors: Oral History, American Indian History, Elementary School Curriculum, Student Attitudes
Giesler, Mark A. – Journal of Social Work Education, 2017
Augusto Boal's Theatre of the Oppressed has been the basis for radical performance techniques practiced around the world. Widely a staple for theatre performance syllabi, it also has an innovative application for the social work classroom. This article designates Boal's four stages of his poetics of the oppressed and concomitant theatrical…
Descriptors: Theater Arts, Social Justice, Audience Participation, Social Work
Whalen, D. Joel – Business and Professional Communication Quarterly, 2015
This article, the second of a two-part series, features 11 teaching innovations presented at the 2014 Association for Business Communication annual conference. These 11 assignments included leadership and other-focused communication--detecting communication style, adaptive communication, personality type, delivering feedback, problem solving, and…
Descriptors: Business Communication, Annual Reports, Conferences (Gatherings), Instructional Innovation
Hochtritt, Lisa – Teaching Artist Journal, 2007
When people think of a person "working the corners," a G-rated image does not generally come to mind. Yet that is precisely what the author, posing as "June Cleavage," did in New York City one dreary morning: she facilitated a meeting of strangers through the creation of a character and an approachable situation. June, with her…
Descriptors: Art Activities, Art Education, Audience Participation, Interaction

Horwitz, Elaine K. – Foreign Language Annals, 1985
Describes several strategies designed to increase audience participation in role play and simulation activities in the foreign language classroom, including audience feedback, role switching, voting, instant replay, cultural discussion, audience direction, press conference, and class soap opera. These strategies make the role play more productive…
Descriptors: Audience Participation, Classroom Techniques, Role Playing, Second Language Instruction
Glaser, Hollis F. – Communication Teacher, 2006
One of the frustrations with the basic public-speaking course is that there is an inevitable tendency to teach the old sender-message-context-receiver model of communication. Many of the basic texts use it, and the typical assignments--one speaker in front of an audience--certainly reinforce it. Feminists have envisioned an alternative way of…
Descriptors: Public Speaking, Listening, Exit Examinations, Communication Skills
Collins, Rita – 1992
This document contains a trilogy of one-act plays, three multiple-act plays, and guidelines for using drama in adult literacy education classes. The background of the plays' development is outlined in a brief introductory section. Ideas provided for using drama in literacy education are procedures for conducting readings, suggestions for assigning…
Descriptors: Adult Basic Education, Adult Reading Programs, Audience Participation, Drama
Burns, Gary – Feedback, 1986
Describes an audience participation project in the classroom that approximates "real world" production techniques. (PD)
Descriptors: Audience Participation, Class Activities, Education Work Relationship, Higher Education
Alexander, Bryant Keith – 1998
Noting that introductory public speaking and performance studies classes are often met with great anxiety and trepidation, this paper describes and categorizes the necessary student and audience behaviors at three levels of involvement: 1) pre-performance, 2) post-performance, and 3) audience participation. Teachers can show students how to apply…
Descriptors: Audience Participation, Audiences, Communication Apprehension, Communication Skills
Orend, Richard J. – 1988
While the capacity to recognize and appreciate beauty may be inborn in all of us, participation in the arts as an audience or artist usually involves a learning process. What is the relationship between childhood and early adult experiences with the arts and later participation? In 1982, with funding from the National Endowment for the Arts, the…
Descriptors: Art Activities, Art Appreciation, Audience Analysis, Audience Participation
Brazeau, Martin – Journal of Outdoor Education, 1985
Describes ways to integrate storytelling into outdoor education programs. Discusses use of storytelling to teach history, culture, concepts, or values; stimulate imagination; learn new words; set a mood; encourage listener participation; and foster caring attitudes about the environment. (LFL)
Descriptors: Audience Participation, Creative Thinking, Elementary Secondary Education, Environmental Education

Poltorak, David I. – History Teacher, 1991
Discusses the importance of television in history and citizenship education in Soviet schools. Describes studies dealing with the effects of mass communications media on the educational process. Urges the integration of subject matter conveyed to students via television with that acquired in the classroom to foster development of theoretical…
Descriptors: Audience Participation, Citizenship Education, Creative Thinking, Current Events
Epskamp, Kees P. – 1982
A 13-day workshop was conducted in Nigeria to train 60 community development workers in the educational use of popular theater for community-based adult education. Key goals were conscientization (a gradual learning process in which people look critically at their social situation to gain deeper understanding of the root causes of their problems)…
Descriptors: Adult Education, Audience Participation, Case Studies, Change Agents