This study investigates Chinese audience perceptions and reactions to American advanced learners of Chinese delivering domain presentations. Drawing on video recordings of the Chinese Flagship students' Master's thesis defenses, the research focuses on the question-and-answer (Q&A) sessions, where Chinese audience members ask questions and…

Experts in science communication were asked to identify the essential elements of a science communication course for post-graduate students. A Delphi methodology provided a framework for a research design that accessed their opinions and allowed them to contribute to, reflect on and identify 10 essential elements. There was a high level of…

The purpose of this study was to discover differences if any between ratings of general effectiveness of speeches and scores on audience tests of retention of material. (Author/MS)

This paper, representing the first part of a multifaceted study designed to examine the communicative role of a two-way talk radio station, provides a demographic profile of listeners during a one-week period. Data was collected in Salt Lake City during the spring of 1975. Each broadcast day was tape recorded from the beginning talk show until the…

Aristotle's "Rhetoric" offers a model for applying the concept of the enthymeme to the work of film scholars to understand the role of the audience. Used from an analytic perspective, enthymemes emphasize audience reaction to a film, with the focus on how the film is seen, not on how it was made. Applying viewing skills to a sample of…

Richard Lanigan's phenomenology of human communication is applicable to the development of a model for critiquing oral interpretation performance. This phenomenological model takes conscious experience of the relationship of a person and the lived-world as its data base, and assumes a phenomenology of performance which creates text in the triadic…

Discusses an experiment designed to demonstrate intra-audience effects in a naturalistic field setting and explains results indicating the impact of feedback in such a situation. (MH)

Clarifying for both the playgoer and the playmaker the concept of theater as an institution for game-playing, this book analyzes the identifiable urges common to all theatergoers and deals with their immediate emotional experiences. Directing its discussion primarily to playwrights and directors and only secondarily to actors and scenic artists,…

If the scope of current cable television (CATV) content could be broadened to include interactive television services, it is conceivable that these new services would provide reasonable substitutes for the interactive communications that people miss when their surroundings change from a small community to a large urban community, and would thus…

Formality in rhetorical delivery can be defined as a complex variable that represents the speaker's efforts to invoke sociocultural rules of audience control through the nonverbal components of the delivery. This document describes some of the aspects of formality, outlines its significance in rhetorical contexts, and evaluates the concept in…

The poet is a person who wishes to communicate and his audience is people willing to respond to someone else's experiences. The classroom should provide the setting for such interaction. (Author)

The twentieth century history of the academic study of political communication can be divided into three parts: the period between the World Wars, the period 1940-1965, and the period from 1965 to the present. In the first period, social scientists were greatly concerned that the democratic process might be subverted by propaganda; they were…

In order to understand the communicative interaction of film, it is necessary to carefully analyze the special qualities of film as a visual medium, to understand the elements of audience identification with what happens in the film, and to interpret the use of symbolism that enables an audience to derive meaning from it. Among the special…