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AMS Planning & Research Corp., Fairfield, CT. – 1995
If the arts are an essential means for cultural expression, then the study of arts participation is central to the understanding of U.S. culture and its evolution. This document aims to provide an understanding of arts participation at the national and local levels. To this end, the historical development of arts research is summarized and an…
Descriptors: Art, Attitude Measures, Audience Participation, Audiences
Association for Education in Journalism and Mass Communication. – 1998
The Qualitative Studies section of the Proceedings contains the following 10 papers: "An Alternative to Alternative Media'" (James Hamilton); "A Critical Assessment of News Coverage of the Ethical Implications of Genetic Testing" (David A. Craig); "Earth First! and the Boundaries of Postmodern Environmental…
Descriptors: Audience Participation, Case Studies, Critical Theory, Feminism
Bybee, Carl R. – 1983
The uses and gratifications paradigm, like the initial conceptions of media effects, can be viewed as a compatible elaboration of contemporary social and political theory. The fundamental assumptions of the uses and gratifications approach, particularly the assumptions regarding the nature and extent of audience activity and the ability of the…
Descriptors: Audience Participation, Audiences, Mass Media Effects, Media Research
Orend, Richard J. – 1988
While the capacity to recognize and appreciate beauty may be inborn in all of us, participation in the arts as an audience or artist usually involves a learning process. What is the relationship between childhood and early adult experiences with the arts and later participation? In 1982, with funding from the National Endowment for the Arts, the…
Descriptors: Art Activities, Art Appreciation, Audience Analysis, Audience Participation
Larson, Charles U. – 1988
As a result of the overwhelming amount of print and electronic advertisements which compete for consumer attention, advertisers must find effective methods to get through the ad clutter and capture their audience's interest. Several tactics can accomplish this strategy, including the tactic of breaking or reversing audience expectations or…
Descriptors: Advertising, Audience Participation, Commercial Art, Communication Research
Sanders, Keith R. – 1975
The twentieth century history of the academic study of political communication can be divided into three parts: the period between the World Wars, the period 1940-1965, and the period from 1965 to the present. In the first period, social scientists were greatly concerned that the democratic process might be subverted by propaganda; they were…
Descriptors: Audience Participation, Communication (Thought Transfer), Information Utilization, Media Research
Heiskell, Andrew – 1976
This paper stresses the potentially enormous power of new communications technology and urges communicators to use this power cautiously and wisely. Among the topics considered are the power potential of using communication satellites; the conflict in developing countries between the concept of free communication and the need to protect a people…
Descriptors: Audience Participation, Communication Problems, Communications, Communications Satellites
Bryan, Clifford; Horton, Robert – 1976
Athletic programs in the public schools and colleges are often justified by assertions that competitive team sports build character and sportsmanship for participants and spectators, and that sports reinforce such school and community ideals as the virtues of competition, patriotism, and the desirability of healthy living. Spectator behavior at…
Descriptors: Aggression, Antisocial Behavior, Athletics, Audience Participation

Haycraft, John – Zielsprache Englisch, 1976
This (London) group teaches English by presenting short humorous skits, in which a language problem is unobtrusively presented. Afterwards the audience repeats the pattern(s), which a member of the group pronounces for them. At the end of each unit, a rousing song is sung, with all joining in the refrain. (IFS/WGA)
Descriptors: Audience Participation, Drama, English (Second Language), Humor

Lesser, Gerald – American Psychologist, 1976
Notes that to succeed in television both the audience and what is trying to be achieved with them must be known. Also important is a knowledge of what appeals to the audience, what their needs and interests are, and how the educational objectives planned for them can connect with these characteristics. (Author/AM)
Descriptors: Audience Participation, Childhood Needs, Childrens Television, Educational Objectives
Alper, S. William; Leidy, Thomas R. – Public Opin Quart, 1970
Descriptors: Attitude Change, Audience Participation, Commercial Television, Field Studies

Love, Jeffrey – 1995
Analyzing data from the 1982, 1985, and 1992 Surveys of Public Participation in the Arts (SPPA), this study defined arts participation as involvement in a listed activity at least once in 12 months. Respondents were considered crossover participants if they were involved in a single art form in more than one way or if they were involved in more…
Descriptors: Art, Attitude Measures, Audience Participation, Audiences
Orend, Richard J. – 1987
Socialization is a process by which children learn the attitudes and orientations that will guide their behavior as adults. The analyses described in this report use this socialization model as a basis for describing the relationship between childhood and early adult arts-related experiences and current arts-related leisure participation. Three…
Descriptors: Art Activities, Art Appreciation, Audience Analysis, Audience Participation
Missouri Library Association, Columbia. – 1977
This guide offers suggestions and lists resources that are of aid in telling stories in which children can actively participate. Five types of participation stories are discussed: (1) stories in which children participate verbally; (2) stories in which children respond to story cues with appropriate actions; (3) song stories in which children sing…
Descriptors: Art Activities, Audience Participation, Books, Childrens Literature
Stupp, Vicki O'Donnell – 1975
In order to understand the communicative interaction of film, it is necessary to carefully analyze the special qualities of film as a visual medium, to understand the elements of audience identification with what happens in the film, and to interpret the use of symbolism that enables an audience to derive meaning from it. Among the special…
Descriptors: Aesthetic Education, Audience Participation, Audiovisual Communications, Communication (Thought Transfer)