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Kelly Bartlett; Jery Y. Huntley; Janelle A. Schwartz – Journal of Folklore and Education, 2023
In this story collected and shared as part of the OurStoryBridge online short-form oral history project from the Tremonton City Library in Tremonton, Utah, Parry recalls learning Shoshone history and culture from stories that his grandmother, Mae Timbimboo, told him. Parry recounts his excitement in elementary school when he heard that Shoshone…
Descriptors: Oral History, American Indian History, Elementary School Curriculum, Student Attitudes
Forgasz, Rachel – Educational Forum, 2019
I draw on theories of embodied and critical reflection to propose how Boal's The Rainbow of Desire (TRoD) develops teachers' critical consciousness by supporting them to interrogate practice through the lens of power. In particular, the embodied, emotional, problem-posing, and collaborative characteristics of TRoD offer an embodied approach to…
Descriptors: Reflection, Consciousness Raising, Power Structure, Theater Arts
de Castro, Juanjo Bermúdez; Berbel, Noemy; Jaume, Magdalena – Research in Drama Education, 2022
This article focuses on three applied theatre projects, framed within the Theatre of the Oppressed: "Neighbourhood Herstories" (2018), "West Majorca Story" (2019), and "My Life in the Borough" (2019). We explore how theatre students from the University of the Balearic Islands and neighbours in the marginal district of…
Descriptors: Theater Arts, Foreign Countries, College Students, Community Change
Cruz, Joana P.; Malafaia, Carla; Silva, José Eduardo; Menezes, Isabel – Educational Forum, 2019
This article presents a 2-year participatory intervention developed in a secondary school. Based on the European project Catch-EyoU, fostering a critical and active European citizenship, Theatre of the Oppressed (TO) was used with students to develop individual and collective reflection on the possibilities of political change over dating…
Descriptors: Foreign Countries, Theater Arts, Social Justice, Audience Participation
Casale, Laura – James Irvine Foundation, 2017
This is the companion piece for the report, "Building the Field of Arts Engagement: Prospects and Challenges." The literature featured in this semi-annotated bibliography was published between 2000 and 2014 and concerns audience development and audience engagement. Some 38 methodologically robust studies were found. All were published in…
Descriptors: Culture, Art, Participation, Capacity Building
Donkers, Martina; Orthia, Lindy A. – International Journal of Science Education, Part B: Communication and Public Engagement, 2016
Research into the role of fiction in engaging people with science is a growing area, but a little studied medium in this respect is "popular theatre," or non-pedagogic theatre that exists primarily as a work of art. This study investigated audience engagement with human cloning issues after seeing a performance of Caryl Churchill's 2002…
Descriptors: Drama, Audience Participation, Comparative Analysis, Group Discussion
Moree, Dana; Vávrová, Tereza; Felcmanová, Alena – Urban Review: Issues and Ideas in Public Education, 2017
A group of Roma and non-Roma participants worked on the topic of ethnicity and its influence on individuals' lives, using the Theatre of the Oppressed method. The group process was analyzed by means of ethnographic research and was perceived by the researchers as a process of formulating the research question. Interaction between the audience and…
Descriptors: Classification, Minority Groups, Ethnicity, Ethnography
Alston, Adam – Research in Drama Education, 2015
This article looks at the theme of "performing labour" in Look Left Look Right's "Above and Beyond" (2013). In this performance, individual audience members participate as a generic staff member in a fully functioning five star hotel in London. I consider three modes of performing labour in "Above and Beyond":…
Descriptors: Drama, Audience Participation, Role Playing, Labor
Casassa, Kelly; Cappello, Marva; Bedau, Dani; Cirino, Peter – International Journal of Education & the Arts, 2018
This qualitative study presents an analysis of how the use of social media can provide opportunities for students to critically analyze complex texts and collaborate with peers. The students participated as active audience members at a theatrical performance of Gertrude Stein's "Doctor Faustus Lights the Lights" at a large urban…
Descriptors: Social Media, Qualitative Research, Theater Arts, Audience Participation
Caldas, Blanca – Educational Forum, 2019
This article examined the process of reaction, sense-making, and action through Forum Theatre of a group of 20 Latinx bilingual preservice teachers exploring issues of racism, linguicism, and discrimination. Forum Theatre provided a space where the messiness of emotions became a springboard for creativity, strategy-planning, and advocacy. Findings…
Descriptors: Bilingual Students, Hispanic American Students, Preservice Teachers, Racial Discrimination
Osman, Kim; Cunningham, Stuart – Australian Universities' Review, 2019
Digital and social media have grown exponentially to become highly influential spheres of public communication -- increasingly crowded, contested, and corrupted, and increasingly in need of scholarly engagement. As public debate is conducted more through social and digital media, alternative metrics ('altmetrics') that are generated from social…
Descriptors: Mass Media, Electronic Publishing, Social Media, Scholarship
Garcia, Aileen S.; Dev, Dipti; McGinnis, Colin M.; Thomas, Tyler – Journal of Extension, 2018
Extension professionals can improve their use of social media as channels for extending programmatic efforts by maximizing target audience reach and engagement. We describe how implementation of a tool kit highlighting best practices for using social media improved Extension professionals' efforts to engage target audience members via social…
Descriptors: Extension Education, Extension Agents, Social Media, Audience Participation
McGloin, Rory; Coletti, Amanda – Communication Center Journal, 2019
Effective presentation skills never go out of style, however, the channel by which we deliver presentations has been rapidly changing over the past two decades. Technological developments have made it easier to bring audiences together in virtual spaces and as a result, more and more presentations are taking place every day through digital…
Descriptors: Public Speaking, Communication Skills, Computer Mediated Communication, Telecommunications
Giesler, Mark A. – Journal of Social Work Education, 2017
Augusto Boal's Theatre of the Oppressed has been the basis for radical performance techniques practiced around the world. Widely a staple for theatre performance syllabi, it also has an innovative application for the social work classroom. This article designates Boal's four stages of his poetics of the oppressed and concomitant theatrical…
Descriptors: Theater Arts, Social Justice, Audience Participation, Social Work
Roche, Joseph; Stanley, Jessica; Davis, Nicola – Physics Education, 2016
Science shows provide a method of introducing large public audiences to physics concepts in a nonformal learning environment. While these shows have the potential to provide novel means of educational engagement, it is often difficult to measure that engagement. We present a method of producing an interactive physics show that seeks to provide…
Descriptors: Physics, Scientists, Scientific Concepts, Technology Uses in Education