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Brittin, Ruth V. | 4 |
Duke, Robert A. | 1 |
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Journal Articles | 4 |
Reports - Research | 3 |
Reports - Descriptive | 1 |
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Brittin, Ruth V. – Bulletin of the Council for Research in Music Education, 1992
Presents findings of a study of viewers' ability to detect changes in conducting beat patterns. Reports that music education majors were significantly better able to detect tempo decreases than increases and better able than nonmajors to detect decreases. Indicates that nonmajors were better able than majors to identify tempo increases. (SG)
Descriptors: Audience Response, Higher Education, Majors (Students), Music

Brittin, Ruth V. – Journal of Research in Music Education, 1991
Presents results of a study that explored the effect of overt categorization on musical preference. Found no difference in choices of nonmusic majors when choices were structured as stipulated, unstipulated, or free form categories. Finds musical experience and gender affected preferences for pop and jazz, but not for rock music. (DK)
Descriptors: Attitude Measures, Audience Response, Classification, Higher Education

Brittin, Ruth V.; Duke, Robert A. – Journal of Research in Music Education, 1997
Reports on a study where subjects were asked to evaluate the level of musical intensity expressed in various music excerpts. Defines musical intensity as that which conveys strong, ardent, or concentrated emotion. Compares subjects' ongoing evaluation (continuous) with a single concluding (summative) evaluation. Includes a list of orchestral…
Descriptors: Audience Response, Auditory Stimuli, Evaluation Criteria, Evaluation Methods

Brittin, Ruth V. – Journal of Research in Music Education, 1996
Compares the preferences of university and middle school students for non-western music as communicated through a Likert-type scale, manipulation of one dial on a Continuous Response Digital Interface (CRDI) during music listening, and manipulation of two dials on a CRDI during music listening. (MJP)
Descriptors: Audience Response, Computer Uses in Education, Cultural Pluralism, Culture Contact