In this installment of "Members Speak Out," the author discusses a game that teachers can play with their band and orchestra students. Called "Drop the Needle," it involves starting a musical recording in the middle and trying to determine what period it is from and who might have composed it. This game allows more experienced…

The author discusses techniques on how to establish rapport between the choir and young audiences. According to him, one of the choir's most important assets just might be something he calls access-ability. One of Webster's definitions of "access "is" permission, liberty, or ability to enter, approach, or communicate with." When it comes to…

Provides suggestions for developing a successful concert. Covers aspects of the performance such as literature selections, the sequence of the songs within the concert, the needs of the audience, appearance of the students, and appropriate concert length for all grades levels. (CMK)

Maintains that visually enhanced musical performances provide an exciting and creative aspect of musical production. Explains that the conductor should choose a musical selection that offers concrete visual opportunities, focus on visual images, choose video excerpts, and use dance if possible. Finds that many visual techniques used by marching…

Divides musical composition selection for student orchestras into two categories, teaching repertoire and concert repertoire. Provides a number of helpful hints and criteria for selecting both. Includes "Ten Terrific Titles,""Super String Selections," a list of premiere selections for grades two through six, and a list of selected resources. (MJP)