A description and course outline of a British film study course which stressed an auteristic approach to cinema. (CH)

A structuralist-semiotic study of film theory. (CH)

This paper traces the history of motion pictures from Thomas Edison's vision in 1887 of an instrument that recorded body movements to the development of synchronized sound-motion films in the late 1920s. The first synchronized sound film was made and demonstrated by W. K. L. Dickson, an assistant to Edison, in 1889. The popular acceptance of…

This booklet is both an explanation of the independent film (also known as "avant-garde" or underground film) and a catalog of Grove Press' underground films, which are available for sale or rent. The topics covered include ways the independent film differs from the commercial film, the importance of and a short history of the independent film,…

Media education, evolved from film study, screen education, and visual literacy, is concerned with expanding learners' capability in nonprint communication, especially in the areas of film, still photography and television. Its objectives are to assist learners to interpret and utilize the mass media they encounter, and to foster individual…

Challenges visions of a total audiovisual future by defending the importance of written language. (RB)

Explores a language model based on the various forms of messages exhibited in both visual and verbal communication. Argues that although several differences in levels of meaning exist between verbal and visual message format, combining features from each message mode strengthens the comprehensibility of communication. (RS)

Beginning with a clarification of the difference between the product and the process approach to audiovisual (educational) technology, a series of levels or categories of media use are presented: (1) the tool level; (2) the data level; (3) the behavior control level; (4) the meaning level; (5) the research level; and (6) the systems level. Using…

This investigation, based on the phenomenological philosophy of Alfred Schutz, was an attempt to determine how people view films by determining the meaning that the action has for them. Twenty college freshmen and sophomores and two seniors viewed the film "Tilt," a production of the National Film Board of Canada. All subjects were asked…

Gives an overview of the Schools Council Communication and Social Skills Project at Brighton Polytechnic in which children ages 9-17 have developed and used audiovisual media such as films, tape-slides, or television programs in the classroom. The effects of audiovisual language on education are briefly discussed. (JJD)

This book covers the life and aesthetic qualities of the work of the European film-maker Jean-Marie Straub (1933- ). It contains introductory chapters on the biography and artistic milieu of Straub and continues with a chapter-by-chapter critical treatment of each of his films: "Machorka-Muff"; "Not Reconciled"; "Chronicle…

The process and effects of visual communication are examined in this paper. The first section, "Visual Literacy," discusses the need for a visual literacy involving an understanding of the instruments, materials, and techniques of visual communication media; it then presents and discusses a model illustrating factors involved in the…

Bound in a slipcover rather than in signatures, this "book" is made up of thirteen separately bound booklets. The first booklet is an introduction to the use of film in the classroom both in teaching the filmic art and in increasing the visual literacy of students on the high school and early college levels. The twelve other booklets each treat a…

The combined theories of cue summation and stimulus generalization provide the theoretical model for this study. First, the study attempted to determine if supplementing a theoretical presentation of rhetorical principles with printed, audio, and audiovisual speech models would contribute to a significant increase in learning as evidence by…