This article, which is intended as a contribution to wider conversations around music literacy, explores current conceptions of music literacy within the UK, using the area of aural skills training as a focus. Specifically, it considers the nature of music literacy and aural training in secondary (ages 11-18) music curricula and the role of aural…

Although playing by ear has important benefits for the development of musicianship, one-to-one instrumental teaching has traditionally overlooked it. The current research describes the strategies applied by three woodwind teachers with their students in a Spanish music school through a multiple-case embedded study. Data were collected through…

Although formal aural musicianship learning is prevalent in university and conservatory music curricula, an informal "ear-copying" approach can be an alternative. In this study, the formal "Written task" approach was taught weekly to a class of university music majors by the teacher-researcher, but an extra ear-copying…

The purpose of this mixed methods study was to examine the effect of ear playing instruction on adult amateur wind instrumentalists' musical self-efficacy. Ten volunteer members of a community band in a small town in Ohio completed the "Ear Playing Profile" both prior to and following an eight-week period of instruction in playing by ear…

This dissertation investigates the ways in which experience with lexical tone influences the perception of musical melody, and how musical training influences the perception of lexical tone. The central theoretical basis for the study is a model of perceptual learning, Reverse Hierarchy Theory (Ahissar et al., 2009), in which cognitive processes…

Listening skills are fundamental in the author's approach to teaching music to children. As a Suzuki instructor, the author is always looking for ways to help students listen more effectively. This article sets forth ways listening can be fostered, both in private instrumental study and in general music preschool and elementary classrooms. The…

The study investigated the effects of auditory training within a musical context on 12 severely to profoundly hearing-impaired preschoolers' use of residual hearing. A significant improvement was found in the children's ability to discriminate and recognize auditory stimuli. However, the lowest level in the hierarchy of auditory perception,…

A musical note produced through the vibration of a single string is psychoacoustically simpler/purer than that produced via multiple-strings vibration. Does the psychoacoustics of instrument sound have any effect on learning outcomes in music instruction? This study investigated the effect of two psychoacoustically distinct instrument sounds on…

Described is a eurhythmics program for hearing impaired primary, preteen and adolescent children using both structured and informal approaches. (DB)

Three experiments studied the perception of tone sequences. Ratings of perceived structure and ease of recognition in transposition were both influenced by harmonic progression, the contour, and the excursion or repetition pattern within the sequence. Results are described in terms of the abstraction and analysis of levels of pitch relations.…

Described is the use of musical remediation in teaching learning disabled elementary children. (PT)

Many high schools in the U.S. offer Advanced Placement (AP) courses in music theory for students wishing to study music at the college level. Others devote part of the music curriculum to theory and aural-skills instruction, but do not offer AP courses. In either case, high school theory and aural-skills courses typically strive to cover all, or…

Believes that the school should introduce the child to new sounds and sound sources and suggests various methods to activate a child's sense of structure and design so that he becomes aware of his ability to express himself in sound. (RB)

This book details the life of Shinichi Suzuki and his work in developing the Suzuki method of music instruction. The book chronicles the struggle and efforts of the man now recognized as master musician and pioneer in music education. Chapters include: (1) "Biography and History"; (2) "Growth of the Talent Education Movement";…