The author draws on previous work in looking at refugee literature and focuses on two different, yet arguably complimentary, examples of marginalized narratives in graphic novels that inservice teachers can use in instruction. "The Nameless City" by Faith Erin Hicks offers a fictional story yet delves into complex issues and themes.…

Comics Academy is an after-school S.T.E.A.M. club in which students learn the history of comics, comic book formatting, the basics of drawing and perspective and, most important, how to collaborate to bring their stories to life through comics.

The authors detail how one fourth-grade teacher implemented a comics writers' workshop in the weeks that concluded the academic school year. Each phase of the comics writers' workshop is described. Students interpreted and analyzed the words, images, and design features that compose published comics before constructing and publishing their own…

As reasons to promote the inclusion of graphic novels in the curriculum expand, many teachers have yet to incorporate graphic novels into their teaching repertoire. In this article, two teacher educators describe a systematic approach that they use to teach preservice teachers how to read graphic novels, focusing on specific strategies in three…

The authors document work in a fifth-grade classroom investigating informational texts. Students investigated a range of informational texts and their potential forms. In the spirit of challenging a given curriculum and conventional understandings of informational texts, texts in the Science Comics series were invited into this learning space.…

The increase of graphic novels in libraries and schools and on award lists illustrates one way that children's literature is changing. This article explores the relation between words and illustrations in a popular graphic novel. The multimodal format of graphic novels requires readers to consider the words, graphics, panel sizes, and uses of…

The author explores the possibilities that posthumanist thinking offers for amplifying our understanding of multimodality in children's literacies in school and beyond. Drawing on data from a five-month case study on the multimodal literacy practices of six fifth-grade students across home, community, and school settings, the author focuses on one…

The growing popularity of graphic novels for younger readers is hard to miss. This article provides specific ways to think about, recognize, and teach with multimodal texts that leverage student interest. In this English language arts unit, we taught a sixth-grade class how to read and comprehend the complex design elements common to the graphic…

Young readers notice details in pictures and images with great precision, yet young writers often struggle in adding enough detail to their writing. Third-grade students use a published author's scene from a graphic novel as a scaffold for storytelling. Partners notice the detail in the images; they take turns orally telling the story, and finally…

The authors discuss the burgeoning number of graphic novels being published for young readers (approximately PK-3) and suggest a new term for identifying this format and audience: primary graphic novels (PGNs), for primary level students. They go on to describe a series of lessons they conducted with a class of 1st and 2nd graders to capitalize on…

This study analyzes how second, third, and fourth graders in a racially integrated suburban school engaged in multimodal meaning making in the context of a book club discussing Ben Hatke's graphic novel "Zita the Spacegirl." Qualitative analysis of field notes and assessments indicated three overall findings: First, students responded to…

Comic strips are great to share with parents, younger students, and peers. This article presents an activity where students use a six-paneled comic strip to summarize a story. This activity allows for multiple interpretations and enhances comprehension by drawing attention to story elements.

This article documents the experiences of a diverse group of second grade students during a nine week unit of study focused on graphic stories. The project begins as the class is immersed in reading graphic stories designed for young readers. Images, written text, and dialog are utilized to scaffold reading comprehension and to practice fluency.…

Teachers can use comics for reading instruction by capitalizing on their colorful graphic representation. Technology and reading are wed during the use of the Internet, and readers must rely on their visual literacy skills--a group of vision competencies people can hone for comprehension. This article reports on strategies for developing visual…

A first-grade teacher used comic books as read-alouds during her implementation of a reading/writing workshop. The students, primarily English-language learners, were able to make use of this medium in order to learn new reading practices. The teacher used the comics to teach multiple aspects of various reading processes such as reading with an…