Analyzes "The Deer Hunter" in terms of a psychological/ritual model of criticism. Argues that the rhetorical force of the film is explained by men's participation in rituals, such as deer hunting, which affect the patterns of psychological change they experience during and after war. (JMF)

Using Jean Baudrillard's postmodernist theories, this paper analyzes how the television program, "Miami Vice," operationalizes his theory through its attention to surfaces and style. The paper notes that Baudrillard proposes life as a surface comprised of animated models indistinguishable from the reality these models represent and…