Much has been written about the importance of giving personal attention to children's written work. The focus has been on the effect of this feedback on the writing and on the child. Drawing on the philosophical discourse of the care of the self, I argue that the ways in which a teacher gives feedback informs the development of the teacher.…

This essay employs the images and voices of children to describe how their learning about the world is supported as they engage in experiences that invoke creativity and imagination. The author states his belief that this "imagining," this giving body and substance to the nature of "imagination" is one of the foundations of knowing, a means of…

Writing studies has been an intellectual playground dominated by the "big kids." If we are to understand how writing becomes "relevant" to children as children, then we must study them, not for who they are becoming, but for who they are in life spaces shared with other children. This essay on the methodology entailed in…

In this article, Boldt considers decisions teachers must make about the value of children's writing as a form of play in primary classrooms. She offers a brief history of the framing of this question at 1966 Dartmouth Conference on English, focusing particularly on the perspective of Jimmy Britton. She highlights the relationship between Britton's…

Describes how a class of first and second graders decided to make cautionary signs to protect their newly constructed projects. Notes that most signs could be classified as persuasive or regulatory, and how some were in the mode of engagement and surprise. (SR)

Notes that "Reading Rainbow"'s third annual contest for young writers and illustrators will be held from January-April 1997; it is administered primarily through local PBS stations which hold their own contests and submit winners to "Reading Rainbow." States that children in grades K-3 should submit a story and at least five…

Examines the work of four writers who have influenced the teaching of poetry writing to primary school children. Considers the merits of each, particularly in the context of arguments about "voice" and "form," and links their explicit and implicit philosophies and approaches. Supports "grace,""voice" and "form," and argues that one need not…

Using the concept of the "constructed child" to reflect on "the child writer," this paper addresses the ways in which educators make sense of what the child does when he or she writes in school. The paper draws upon experiences with 5- to 10-year-old children in a recent study of child writers, especially 8-year-old Ayesha. It…

Encouraging young children to think themselves as writers helps them to achieve more in their life than one have ever imagined. When young students are given an open-ended ongoing invitation to write books, they build identities as writers around their daily work of composing texts and they also gain a sense of ownership and control over literacy.

This article features questions and answers about "Kid Writing" (KW), the process of turning children who do not know the alphabet into fluent, proficient, and confident writers. According to the article, the questions were gathered during a live chat with the authors of "Kid Writing: A Systematic Approach to Phonics, Journals, and…

The three children who are the focus of this paper emerged from analysis of KS2 (Key Stage 2, ages 7 to 11 years) writing during the Kirklees Writing Project. This involved a group of six KS2 teachers bringing samples of students' work to evaluation meetings in which key factors of a particular genre were identified and differences in children's…

Explores the intersection of poet William Stafford, the poet in each child, and poetry. Discusses influences of Stafford on the author during her academic training and subsequent academic career. Notes Stafford left behind a vision of the world, a way of thinking about the process of writing, and a respect for the writer that is each child as…

Presents a collection of letters, poems, and artwork by children in response to the tragedy of September 11, 2001. Tells how students throughout the United States picked up their pens, pencils, crayons, markers, and paintbrushes, and attempted to make sense of this most incomprehensible act. (SG)

Discusses strategies and activities that a teacher can use to help a young writer become a fluent writer. Suggests that it is essential for teachers to provide an abundance of opportunities for children to write. (RS)

Recounts the author's experiences in Zimbabwe working with Zimbabwean educators regarding the role of children's literature and writing in the classroom. Discusses Zimbabwean children's literature, publishing difficulties, and Zimbabwean children's writing. (SR)