Suggests using creative dramatics activities to foster students' skill in sensing, sequencing, expressing, and cooperating. Outlines five creative dramatics exercises suitable for a science, mathematics, art, or English class. (SJL)

Gives instructions for a theater exercise that involves a student lip-synching to a song. Cautions that the presentation must be balanced equally, with attention paid to both realism in the actual lip-synching, and to how the performer gives meaning to the song. States that students generally should not try to emulate well-known performers. (PA)

Creative movement is an ideal vehicle for integrating curriculum, because the potential for human inspiration is limitless. When working in a creative-movement setting, students communicate thoughts, ideas, or feelings without fear of being judged incorrect or losing a competition. Yet, pantomime is just the beginning. The next step would be to…

Pantomime can be used in language arts classes as a learning activity in which students observe and organize movements in a logical sequence, transforming abstract concepts into vivid images. This paper suggests three ways that teachers can use pantomime in the classroom: portraying character types, such as golfer, archer, or juggler; becoming…

Pantomime, the use of the body to communicate without words, is a natural activity for children, an ancient art which is enjoying new popularity. Presented are tips on teaching mime to children. (Author/KC)

Creative dramatics can be used effectively by the elementary teacher to help motivate students to become involved in various language arts activities. Dramatic play, pantomime, story dramatization, imagination exercises, creative movement, improvisation, and other structured activities encourage students to relate new experiences to old. As they…

Based on the experiences of classroom teachers of theatre, the elective dramatics course described in this guide is designed to enhance ninth grade students' aesthetic awareness, social development, intellectual growth, and technical knowledge. Following a brief course description and overview, the guide presents complete instructions for seven…

Describes how one instructor incorporates daily poetry "breaks" in middle school. Explains that students begin by listening to Eve Merriam's "How to Eat a Poem," then imitate poems first in pantomime, then with sound and action. Notes that students later write and trade poems, and end the term with a poetry festival. (SG)

This journal, published in Israel, contains articles of interest to teachers of English as a second language, particularly those in Hebrew-English situations. This issue contains the following articles: (1) "Thirty Years of Israel -- in the English Class," by A. Sotto and L. Marnin; (2) "English in Grade Four," by E. Gelber;…