Many music educators address aural skills and analysis by drawing on strategies designed for the realm of Western classical music. Focusing solely on aural skills and analysis within paradigms of Western music can limit students' musical learning and engagement to particular ways of knowing music. To diversify and broaden the types of aural skills…

In recent years, popular music has become a growing area of music study and is increasingly accepted in schools and universities around the world. Despite this general enthusiasm, classically trained music teachers bring a certain hesitation to this art form, perhaps because too few have had formal hands-on experience with it. This article…

In this installment of "Members Speak Out," the author discusses a game that teachers can play with their band and orchestra students. Called "Drop the Needle," it involves starting a musical recording in the middle and trying to determine what period it is from and who might have composed it. This game allows more experienced…

Halloween can be celebrated quite well with classical music. Music that relates, directly or indirectly, to fantasy, the supernatural, or the macabre is described. (RM)

This book is aimed at new graduates of music schools and conservatories who are emerging as professional-level performers and composers of classical music. It provides useful information for anyone trying to break into the music field. The order of the chapters corresponds to the general order of what is necessary to focus on when developing a…

Supports the use of novels in music classes to activate student interest in an unfamiliar field. Shows how "Come Sing, Jimmy Jo" (K. Paterson), "Pennington's Seventeenth Summer" (K.M. Peyton), and "Jazz Country" (N. Hentoff) can enhance music learning because characters engage in aesthetic judgment, struggle with…

Presents a series of interesting and creative learning activities designed to enhance students understanding and appreciation of classical music. Although designed to work in conjunction with a CD-ROM, most of the electronic material (music selections, scores, brief biographies) is available in libraries. Learning activities include objectives and…

This manual was designed to accompany a computer software resource (Macintosh diskette and three CD-Rom discs) aimed at helping students with no previous musical knowledge, develop specific comprehension skills in classical music. The materials are based on the premise that conventional musical forms are abstract prototypes of whole classes of…

Music is everywhere. People listen to compact discs while relaxing at home, MP3s while jogging in the park, live music concerts in their free time, and internet radio on the computer. What are people listening to? Who is doing the listening? How have listening patterns changed over time? This report aims to answer those questions by using data…

Contends that teaching music history has traditionally focused on five eras of Western music. Relates these periods to concepts of form, space, and understanding. Acknowledges that music education has been ethnocentric and recommends a more universal music education. (CFR)

This curriculum guide has been prepared for use by music specialists in the junior high and intermediate schools in New York City. It also can be used in high schools as a supplement to the required music curriculum. Each unit begins with a teacher's guide which outlines the material to be covered, a summary of unit content, the characteristics of…