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Peng, Fang – Music Education Research, 2023
This study aims to discuss the fundamentals of music copywriting in music education and identify pathways for integrating musical compositions into the learning process without infringing copyright and prohibiting the use of specific music pieces. To achieve this goal, the authors used methods of analysis to identify the available resources in the…
Descriptors: Foreign Countries, Copyrights, Music, Music Education
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Wang, Dongfang – International Journal of Web-Based Learning and Teaching Technologies, 2023
The goal is to promote the healthy and stable development of music education in China. The time-frequency sequence topology in frequency domain can improve the effect of convolution operation. Therefore, this paper applies the above algorithms to classical music education, including the recognition of classical instruments, the feature extraction…
Descriptors: Foreign Countries, Music Education, Classical Music, Musical Instruments
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Tao Chen – Education and Information Technologies, 2024
The research purpose is to evaluate the effectiveness of the WeChat social networking platform for music education in China, considering the opportunities for communication and cognitive skills development of music students. The research underlines that the advantages of WeChat in learning are the updated educational information, learning…
Descriptors: Music Education, Classical Music, Foreign Countries, Social Media
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Yuan Li – Interactive Learning Environments, 2024
The aim of this paper is to determine both the influence of musical compositions' genres on the students' musical literacy formed using artificial intelligence technologies and the musical literacy skills among music and non-music major students. Accordingly, the method of analysis was used to identify the most common musical genres in the Chinese…
Descriptors: Music Education, Majors (Students), Nonmajors, Folk Culture
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Zhang, Wenzhuo – General Music Today, 2017
Music diversity is valued in theory, but the extent to which it is efficiently presented in music class remains limited. Within this article, I aim to bridge this gap by introducing four genres of Chinese classical ensembles--Qin and Xiao duets, Jiang Nan bamboo and silk ensembles, Cantonese ensembles, and contemporary Chinese orchestras--into the…
Descriptors: Music Education, Musical Instruments, Cultural Awareness, Cultural Influences
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Ho, Wai-Chung – Research Studies in Music Education, 2017
This study examined popular music and school music education as cultural constructs of teenage students amid the shifting cultural and social dynamics of contemporary China. Data were drawn from questionnaires completed by 6,780 secondary students (mainly ages 12 through 17) from three cities--Beijing, Changsha, and Shanghai. The survey results…
Descriptors: Secondary School Students, Music, Music Education, Music Teachers
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Han, Ruochen; Leung, Bo Wah – International Journal of Music Education, 2017
In mainland China, the implementation of the junior secondary school's music curriculum is highly dependent on music teachers' attitudes towards music and music education. This study investigated the possible relationship between teachers' attitudes towards teaching Chinese folk music and their music teaching practice in junior secondary schools…
Descriptors: Foreign Countries, Teacher Surveys, Teacher Attitudes, Folk Culture
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Ward, Lisa-Jane – Victorian Journal of Music Education, 2014
Music departments in Chinese universities incorporate Western musicology and instruments as part of their undergraduate or graduate courses (or both). However, many of these students may have had limited exposure to Western classical music and English, as a medium of communication. Furthermore, these courses are predominantly offered in Chinese.…
Descriptors: Chinese, English (Second Language), Second Language Learning, Bilingual Education
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Huang, Hao – International Journal of Music Education, 2012
This paper addresses the complex relationship between Confucian values and music education in East Asia, particularly its history in China. How does one account for the present "cultural fever" of Western classical music that has infected more than 100 million Chinese practitioners? It is proposed that Western classical music finds…
Descriptors: Music Education, Classical Music, Free Enterprise System, Foreign Countries
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Hui, Wanfong Viny – Music Education Research, 2009
This is a pioneer study of Macau's music education focusing on music listening preference. Adopting models from Western cultures, the study, launched in 2006, aimed to explore the factors of age and gender in regard to music preference. The subjects ranged from fourth-graders to university students (N=2495) (15 missing). Participants rated their…
Descriptors: Music Education, Music, Likert Scales, Foreign Countries
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Cheung, Jane – Psychology of Music, 2004
This paper reviews research on Hong Kong's music education. The review shows that music education in Hong Kong after the change of sovereignty in 1997 differs from that in the People's Republic of China; there is an emphasis on western classical music rather than the traditional Chinese music in the classroom, with a disconnection between what…
Descriptors: Creativity, Music Education, Classical Music, Foreign Countries