This study examined 44 students' engagement in the composition of popular and classical music in a computer-mediated environment. The study took place over the course of one school year at a government-funded secondary school in Hong Kong that had 30 iMac music workstations. Participants were 22 Form 3 students (aged 14-15) and 22 Form 4 students…

In the past, the music curricula of Hong Kong (HK), Mainland China and Taiwan have focused on Western music, but with the advent of music technology and the new tripartite paradigm of globalisation, localisation and Sinophilia this has begun to change. Hong Kong, Shanghai and Taipei share a common historical culture and their populations are…

This paper reviews research on Hong Kong's music education. The review shows that music education in Hong Kong after the change of sovereignty in 1997 differs from that in the People's Republic of China; there is an emphasis on western classical music rather than the traditional Chinese music in the classroom, with a disconnection between what…