In this article, the author features the life and works of Antonin Dvorak, a Czech classical musician. In the throes of a New World epiphany, Dvorak has espoused a future for American music based on "negro melodies." For three years, beginning in the fall of 1892, Dvorak found himself embroiled in a sustained and often bitter debate over issues of…

In this article, the author shares the views of John Williams, Hollywood's premier composer, who has written more than 300 scores, about the future of classical and film music. A gregarious person in a field requiring monklike isolation, Williams values the "association with the soloists, and the wonderful inspiration from players." His…