This article examines relationships in the writing process and offers some strategies to address student needs on both the cognitive and affective domains.

Responds to Susan McLeod's "The Affective Domain and the Writing Process: Working Definitions." Suggests and defends an alternate way to define affect, based on the interweaving of affect and cognition. Discusses the "cognitive-affective dance." (PRA)

Discusses the role of affect in cognitive processes. Concludes that to study the affective as well as cognitive components of composing is to acknowledge their true interrelatedness. (MS)

Investigates the writing experience of 40 eleventh graders and examines the social and pedagogical circumstances contributing to their limited concentration and motivation. Finds that emotion disrupts sustained and thoughtful attention to writing. Demonstrates the psychological toll of limited concentration, negative self-view, and limited…

Although contemporary psychologists generally acknowledge the significance of affect in human experience, few have attempted to understand its role in cognitive processes. The same can be said of writing specialists. In fact, New Criticism, so long dominant in American literary thinking, still continues to influence the emotions writers disclose…

Notes weaknesses in current writing theory as it fails to deal with the affective domains--emotion, memory, motivation, and value. Recommends that future studies should try to make knowledge of the affective processes clear and useful to teachers and students. (NH)

Presents three broad areas--writing anxiety, motivation, and beliefs--that seem to be ripe for study in terms of affect, and suggests that the constructivist views refined by George Mandler could be helpful to drive such research. (NH)