An important aspect of the composing process is the element of organization--the coherent development of ideas and considerations of relevance. Most investigations of this aspect have focused on prewriting behavior or on "heuristics,""frames," or other approaches that presuppose that organization is something imposed from the…

A study was conducted to test a model that conceives of long term memory as a propositional network of ideas made up of knowledge clusters and related subclusters. After two pilot studies suggested that recall order of ideas was unrelated to organization, the study investigated whether units of main and supporting ideas produced during…

In order to evaluate writer control of global coherence under various contexts, writer texts produced by 13 college freshmen enrolled in a basic skills section of a composition course were collected as a natural part of the ongoing instruction. The texts examined were written on five different topics: misuse of power, a personal experience of the…

Three areas of the classical rhetoric of Aristotle, adapted for the modern discourse of inquiry and demonstration, provide a systematic framework for students to understand thought, investigation, and writing in other disciplines: aitia, kairos, and the enthymeme and the example. Aitia, or cause, has four aspects--the material cause, the formal…

Examines the cognitive processes associated with speech and writing. (HOD)

Evaluates process theory, suggests its limits, and addresses some of the conceptual problems it leaves unresolved. (RBW)

Since there are similarities between the process of writing computer programs and the process of writing successful expository prose, a student's knowledge of computer programing can contribute to the understanding of some principles of composition. The establishment of a clear objective is the first priority of both the writer and the programer,…

Readers as well as writers compose meaning. Using the same characteristics essential to effective writing--planning, drafting, aligning, revising, and monitoring--readers react creatively with the text. In response to the author's intention and their own knowledge base, they decide what they want to get from their reading. Constantly renegotiating…