This article presents a conceptual framework for the writing process to facilitate motivation, learning, retention, and knowledge transfer in readers of expository material. Drawing from four well-developed bodies of knowledge--cognitive science, learning theory, technical communication, and creative writing--the author creates a model that allows…

Examines the "cognitive process theory of writing" expounded by writing researchers Linda Flower and John R. Hayes, discussing problems with their theory and with the methodology on which it is based. (HTH)

Responds to Susan McLeod's "The Affective Domain and the Writing Process: Working Definitions." Suggests and defends an alternate way to define affect, based on the interweaving of affect and cognition. Discusses the "cognitive-affective dance." (PRA)

Argues that, like making stew, there is more than one sequential writing process, and that while one cannot discern the process by examining the product, the product (or purpose) cannot help but shape the processes. (HTH)

Explores the similar and different ways that reading and writing influence consciousness. Summarizes the relationship between reading and writing as meditation--a way of modifying inner speech or composing in the mind. (HTH)

Introduces a theory of the cognitive processes involved in composing in an effort to lay groundwork for more detailed study of thinking processes in writing. (RL)

A study was conducted to test a model that conceives of long term memory as a propositional network of ideas made up of knowledge clusters and related subclusters. After two pilot studies suggested that recall order of ideas was unrelated to organization, the study investigated whether units of main and supporting ideas produced during…

Arguing that to consider only the writer's mental processes is an intellectualist view of the composing process that does not present a fully human way of knowing, this paper takes the position that the writer is more than a mind at work and that an account of the writer as knower must include a consideration of the interaction between mind and…

Theory and practice, especially in education and more particularly about the composition process, stand in a dialectical relationship to one another, otherwise practice gets gimmicky and theory becomes dogmatic. The role of theory is to define purposes, figure out why something works so it can be repeated, give perspective, and free teachers from…

Drawing upon reading and text comprehension theories and the sociolinguistic studies of M. A. K. Halliday and R. Hasan, this paper builds theoretical links between the reading and writing processes. The major portion of the paper discusses the five language concepts that undergird both processes: (1) text processing in both reading and writing…

Proposes that a unified theory of writing be sought as a basis for teaching composition, and that such a theory come from theories of mind and learning already developed. (RL)

Examines two responses to current traditional rhetoric--the new romantics who insist on the primacy of discovery and the new classicists who believe in aiding discovery through systematic heuristic procedures. (HOD)

Using James Britton's model of discourse as a touchstone, this paper develops a theoretical base for writing instruction in adult literacy programs. The paper explores writing from an interactionist perspective that views writing as a complex recursive process in which the writer builds meaning with a text according to the purposes for writing,…

Proposing the theory that adult basic writers can learn to write better if they are taught to understand the mental processes that writing requires, this paper presents a brief teaching guide for systematic instruction in these processes. The paper first examines how ideas develop and then outlines the mental processes in rhetoric. Discussions of…

A cognitive approach to the interrelation of writing and reading assumes that production and comprehension of written text depend upon cognitive and affective schemata used in concert by a writer or reader to produce or encode, store, and retrieve text information. Both comprehending and composing are basic, complex, interactive processes with…