Writing is not the result of thinking but rather a way of thinking, and it is distinct from editing, which involves making one's writing conform to agreed upon rules. (DD)

Points out that the future of technical writing can be sustained only if teachers persist in setting for technical writing the same standards they apply to other sophisticated modes of writing, and if they require refinement in style as well as accuracy in content. (MS)

Assesses the benefits and limitations of writing as a cognitive process. Discusses the cognitive process model of writing, then proposes an ecological model of writing, where a fundamental tenet is that writing is an activity through which a person is continually engaged with a variety of socially constituted systems. (EL)

Explores the implications of Soviet psychologist Lev Vygotsky's cognitive theories on the writing process. (MM)

Argues that the view of writing as a social activity fails to account for individual cognition. Suggests that subjectivity results from a dialectical interplay between consciousness and ideological forces. Calls for further investigation of how context guides cognition and what role cognition plays in the social negotiation of knowledge. (SG)

Responds to Susan McLeod's "The Affective Domain and the Writing Process: Working Definitions." Suggests and defends an alternate way to define affect, based on the interweaving of affect and cognition. Discusses the "cognitive-affective dance." (PRA)

John Keats provides a convincing and helpful model of James Britton's philosophy and research on composition. While, contrary to Britton's paradigm, much of Keats's work is simultaneously in the expressive, transactional and poetic modes, early poems are primarily expressive: they record his perception of reality as filtered through his senses and…

To investigate the composing processes of professional expository writers, interviews were conducted of six subjects who regularly produced expository prose under the pressure of a weekly or monthly deadline. Subjects included Noel Perrin, essayist, book critic, and Dartmouth College professor; Tom Wicker, political columnist for "The New York…

The change of emphasis from the written product to writing as a process manifests another important change--one from logical to phenomenological consciousness. Phenomenologically speaking, writing is both "immanent" in the writer and "transcendent" outside the writer. It is thinking of general concepts that actually occurred…

Evaluates Heather Hemming's research project, "Reading as a Monitor in Writing" (this issue). Emphasizes the contribution this project makes to research methodology. Stresses Hemming's conclusion that the type of monitoring strategy used is not important, providing it is effective. (MM)

Defends the use of verbal reports, or protocol analysis, as a valid means of understanding cognitive processes and writing processes. (SRT)

Examines research work done on how writers think as they compose in nonacademic settings and relates their findings to reading instruction. (HOD)

Describes a "composing process paper" assignment designed to make students aware of their own writing processes and to teach important problem-solving skills. Provides a series of protocol questions students can discuss before writing descriptions of their individual writing processes. (HTH)

Suggests that the information processing model of writing developed by cognitive psychologists provides a construct for researchers to work with but has little to contribute to classroom pedagogy. (MM)

Flower defends her book "Problem-Solving Strategies for Writing," stating that contrary to Petrosky's interpretation, it does not take an out-moded, logical positivist view of communication theory that treats thought as an object to be transferred while ignoring the constructivist nature of both reading and writing. (HTH)