This article presents a constructivist writing placement framework, developed from the study of two pilot iterations of a local writing placement mechanism at a large public research university. Through preliminary analysis of data from these pilots, we present a model of constructivist writing placement and demonstrate how it helps move…

This article analyzes a public memory pedagogical partnership that disturbed the public memory of a community organization as an egalitarian space. How students, community partners, and I negotiated privately and represented publicly this legacy of the United States' worst shame required us--and me--to figure out what partnership and collaboration…

With the "counterhegemonic figured communities" of HBCUs as our lens, our idea(l)s are shaped within specific rewritings of race, access, and education that move us toward a new framework. Alongside teaching narratives, we foreground collaborative revisions of identity, critical mentoring, and coalition-work as an alternative theory of pedagogy…

Based on a study of observable changes author-users made to three Wikipedia articles, this article contends that Wikipedia supports notions of revision, collaboration, and authority that writing studies purports to value, while also extending our understanding of the production of knowledge in public spaces. It argues that Wikipedia asks us to…

This article explores the literacy narratives of two "gamers" to demonstrate the kinds of literacy skills that many students actively involved in computer and video gaming are developing during their play. This analysis becomes part of a larger claim about the necessity of re-visioning the place of gaming in composition curricula.…

Uses multiple typefaces to express multiple voices that call into question the conventional wisdom about collaboration and collaborative writing. Presents vignettes. Discusses "indefinite definitions," multivalent texts/ambivalent authors, collaboration and community, collaboration and identity, and collaboration qua textuality. (RS)

Recounts a conversation with author Ken Kesey. Describes a year-long graduate writing course in which Kesey and his students collaborated on a novel. Explains how the novel was written and how characters and plot were developed. Suggests that, if available to the class, computers would have simplified the writing. (SG)

Describes an advanced composition course involving individual projects which encourage collaboration. Outlines the class, describes how selected students have responded to different elements of it, and comments on what the teacher has learned from it. (SR)

Examines the differences between peer response groups and writing tutorials. Gives a brief history of each, and discusses them in terms of determining goals, setting the agenda for collaboration, and methods. Offers some cautionary reminders. (SR)

Considers the role of the writing center within the context of a large writing program. Describes how the adoption of a portfolio system of grading at the University of Southern California focused attention on this issue. Narrates the changes brought about by the adoption of a portfolio assessment system. (HB)

Personal narrative embeds the expertise of subordinated groups in stories that seldom translate into public debate. The authors describe a community writing project in which welfare recipients used personal narratives to enter into the public record their tacit and frequently discounted knowledge. The research illustrates the difficulties and…

Describes a course that resulted from the interest and need of the academic-advising office to serve undecided students more efficiently, preferably in a group-advising format. Finds that the resulting atmosphere seems to help students make significant progress in writing and in understanding their indecision. (MG)