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Cutting, James E.; Brunick, Kaitlin L.; Candan, Ayse – Journal of Experimental Psychology: Human Perception and Performance, 2012
We selected 24 Hollywood movies released from 1940 through 2010 to serve as a film corpus. Eight viewers, three per film, parsed them into events, which are best termed subscenes. While watching a film a second time, viewers scrolled through frames and recorded the frame number where each event began. Viewers agreed about 90% of the time. We then…
Descriptors: Films, Color, Visual Stimuli, Cognitive Processes
Pilecki, Brian C.; McKay, Dean – Psychological Record, 2012
The current study compared cognitive defusion with other strategies in reducing the impact of experimentally induced negative emotional states. Sixty-seven undergraduates were assigned to one of three conditions (cognitive defusion, thought suppression, or control) and instructed in standardized approaches relevant to each condition before viewing…
Descriptors: Evidence, Emotional Response, Undergraduate Students, Films
Musa, Sajid; Ziatdinov, Rushan; Sozcu, Omer Faruk; Griffiths, Carol – European Journal of Contemporary Education, 2015
Computer animation in the past decade has become one of the most noticeable features of technology-based learning environments. By its definition, it refers to simulated motion pictures showing movement of drawn objects, and is often defined as the art in movement. Its educational application known as educational computer animation is considered…
Descriptors: Animation, Personality Traits, Computer Graphics, Interdisciplinary Approach
Educational and Industrial Television, 1972
Descriptors: Color, Films, Production Techniques, Television
Educational Television, 1971
Descriptors: Color, Film Production, Films, Television
Frey, Christer – EBU Review Part B - General and Legal, 1971
Descriptors: Color, Educational Television, Films, Learning
Somers, Eric – Educational and Industrial Television, 1974
Why a portapak is not necessarily a beginner's production tool. (Author)
Descriptors: Color, Films, Production Techniques, Television
Educational Television, 1971
This article contains "recommendations concerning lighting, staging, cameras, film, and sound recording" for color film production. (Editor/AK)
Descriptors: Color, Film Production, Films, Production Techniques
Marshall, Laurence – Canadian Training Methods, 1971
Three entirely different approaches to different communications needs show how to plan for results and how effective planning helps to keep costs in line. (Author)
Descriptors: Audiotape Recordings, Audiovisual Communications, Color, Films
Bretz, Ruby – Educational Technology, 1971
This article explores some of the reasons for the opinion that color television is not as effective as black-and-white television for instructional purposes. (AK)
Descriptors: Color, Educational Television, Films, Instructional Improvement
Sirinsky, Richard; Gordon, George – Educational/Instructional Broadcasting, 1971
The advantages and disadvantages of tape and films are debated by representatives from Kodak (film) and Ampex (tape)." (Editor)
Descriptors: Color, Educational Television, Films, Material Development
Peer reviewedSherman, Barry L.; Dominick, Joseph R. – Journalism Quarterly, 1988
Presents preliminary data about audience perceptions to colorized movies. Finds that colorized films were seen as more contemporary and were evaluated slightly more favorably. (RS)
Descriptors: Audience Response, Color, Film Criticism, Films
Tolliver, Don L. – 1970
This study examined the extent to which college students were affected by and remembered color information within instructional materials. Factors studied were color codability, verbal cueing, type of question, stimulus silhouettes, and prompting. These factors were included in stimulus scenes for study via two 16mm motion picture films. Color…
Descriptors: Audiovisual Aids, College Students, Color, Films
Peer reviewedHourdajian, Ara – Microform Review, 1983
Summarizes recent progress in color micrographics, which has centered about the corporate development of new microfilms whose capacities for reproducing and sustaining color image far exceed those of their predecessors. (Author/EJS)
Descriptors: Color, Costs, Films, Microfiche
Kindem, Forham A. – Journal of the University Film Association, 1979
Discusses the film industry's conversion to color cinematography in the period between the 1920s and 1960s. Cites economic considerations, technological modifications, and aesthetic preferences by audiences as factors in this development. (JMF)
Descriptors: Color, Economic Factors, Film Industry, Film Production

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