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Blakeman, Robyn; Haley, Eric; Taylor, Maureen – Journal of Advertising Education, 2020
To land a job as an art director, the presentation of a strong conceptualized portfolio is only part of the equation. What additional knowledge helps the novice creative not only during the initial interview but to succeed once they land the job? This study looked to identify what additional skills and traits working art and creative directors…
Descriptors: Portfolios (Background Materials), Business Education, Advertising, Commercial Art
Vigrolio, Tom; Zahler, Jack – 1969
The authors have compiled a dictionary of terms used in marketing, advertising, public relations, and radio/television, photography/filmmaking, and graphics. Included in the volume are articles of a general and historical interest regarding the various media covered in the definitions. A list of trade publications is appended. (JY)
Descriptors: Audiovisual Communications, Broadcast Industry, Commercial Art, Communications
Fresnault-Deruelle, Pierre – Francais dans le Monde, 1979
Analyses the iconography of five photographs used in advertising. (AM)
Descriptors: Commercial Art, Illustrations, Mass Media, Photographs
Distance Art Education: The Federal School and Social Engineering in the United States, 1900 to 1925
Funk, Clayton – Studies in Art Education: A Journal of Issues and Research in Art Education, 2009
The Federal School was a correspondence art school in Minneapolis, Minnesota in the early 20th century. At that time, scientific methods changed the organization and practice of commercial art training and industrial education, which included correspondence courses from the Federal School. Standards of intelligence were determined with…
Descriptors: Intelligence, Industrial Education, Art Education, Intelligence Tests

Bush, Alan J.; Gresham, Larry G. – Journal of Applied Communication Research, 1986
Synthesizes existing knowledge regarding the communication effects of animation and empirically assesses some of these effects. Results of this confirm that animation can be a viable method of advertising. (SRT)
Descriptors: Advertising, Animation, Commercial Art, Communication Research
Gourevitch, Jean-Paul – Francais dans le Monde, 1981
Reviews the history of advertising, through its images, from the end of the nineteenth century to the present. Analyzes advertising and propaganda styles, their symbols, the interaction between commercial and political messages, and the impact of audiovisual techniques on promotional images. (MES)
Descriptors: Advertising, Commercial Art, Cultural Context, Economic Climate
Ulloth, Dana – 1989
An organization that has led the way in opening new frontiers in using advanced technology to create innovative commercials is Charlex, a New York-based company in business since 1977. Charlex has produced music videos, and also commercials for Diet Pepsi, Cherry Coke, Crest Toothpaste, and White Mountain Cooler. It has used a wide range of…
Descriptors: Commercial Art, Computer Graphics, Creativity, Graphic Arts
Landrum, Larry – Indiana Social Studies Quarterly, 1973
This bibliographic essay discusses sources on popular culture, both general works and selected works dealing with the cultural aspects of music, advertising, television, and film. (Author/JH)
Descriptors: American Culture, Art, Commercial Art, Culture
Surlin, Stuart H.; Kosak, Hermann H. – 1974
Advertisers and other mass media communicators are interested in the potential cognitive and affective effects of various graphic designs, specifically relating to the recall of information and the attitude toward information presented. This study deals with the respondent's recall of information contained within an advertisement as well as the…
Descriptors: Advertising, Attitudes, Commercial Art, Communications
Zuk, Bill; Dalton, Robert – 1999
This paper examines the arguments for and against inclusion of advertising art in art education programs, and presents a case for the educational benefits of critically examining advertising art based on museum masterpieces. A search for examples of fine art masterpieces used in advertising art examined which masterpieces are commonly used in…
Descriptors: Advertising, Art Education, Commercial Art, Elementary Secondary Education
Brandon, Brumsic, Jr. – Freedomways, 1974
Describes his experience in developing the comic strip "Luther" and argues that if the positive, black image is to continue to emerge and prosper, editors must be made to know that the comic strip readers dig what's happening. (Author/JM)
Descriptors: Activism, Black Attitudes, Black Influences, Black Literature

Grieshaber, Larry D.; And Others – American Journal of Pharmaceutical Education, 1980
A course in pharmaceutical product merchandising offered at the St. Louis College of Pharmacy incorporated as its three major components the development of a one-page print advertisement, a recorded radio commercial, and a videotape commercial series. Student evaluations were based on performance rather than effort. (MSE)
Descriptors: Advertising, Commercial Art, Course Descriptions, Drug Use
Denton, Craig L. – 1982
Lines are elemental design devices that provide the primary structure for visual expressions in printed media. Gestalt principles of perception emphasize the role of the viewer, so the energy of the lines and the commercial viability of a particular design depend upon the designer's and photojournalist's understanding of both the viewer's…
Descriptors: Audiences, Commercial Art, Design, Graphic Arts
Helmken, Charles M. – CASE Currents, 1979
Posters' power in academic advertising to persuade and inform is successful when message and graphics are combined. Design principles and techniques are identified: symbolism, symbiosis, substitution, sequence, scale, silhouette, script, spectrum, and simplicity. Designers should avoid: typographic fog, color confusion, excessive elements, and…
Descriptors: Advertising, Art Expression, Commercial Art, Communication (Thought Transfer)

Kurlansky, Mark J. – Change, 1977
Popular culture is defended as a solid academic entry that is a new approach to sociology, art, and literature. The contributions and theories of three professors are discussed: Arthur Asa Berger, Leslie Fiedler, and Alan Gowans. They illustrate the range and diversity in the pop culture field. (LBH)
Descriptors: American Culture, Cartoons, Comics (Publications), Commercial Art
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