This paper aims to reveal the potential of inferentialism, an emerging philosophy in mathematics education, to extend contemporary constructivist research regarding conceptual development. Going against the traditional view of a notion as the name of a corresponding concept and a constructivist way of naming second-order models, we provide a new…

The creativity of the brain is usually measured by one's creative behavior or activity. This study explores connections between an individual's creative behavior and his or her creative brain by asking each participant to design an open-ended virtual product in an integrated system consisting of virtual reality and brainwaves. The results show a…

The interest-driven creator (IDC) theory is being developed as a group endeavor by Asian researchers to articulate a holistic learning design theory for future education in Asia. The theory hypothesizes that students, driven by "interest", can be engaged in the "creation" of knowledge (generating ideas and artifacts). By…

This informal essay is based on a presentation James Tanton gave at the Australian Association of Mathematics Teachers (AAMT) 'Why Maths?' Conference in 2019. It begins by offering two first steps to problem-solving that Tanton believes are key for finding success--and joy--in doing mathematics: (1) Be human! Have an emotional reaction to the…

That creativity can play a role in learning seems clear. Indeed, creativity researchers and educational scholars have long asserted that theories of learning need to be broadened to include creative cognition. What is less clear, however, is the specific nature of that role. The purpose of this article is to introduce a new model of creative…

This article describes, discusses and reflects on a teaching and learning experiment in a first year BA course. Students were led out of the lecture room to a different space, the New Place Theatre. While this move out of the usual teaching space was appropriate for the text being studied, William Shakespeare's "The Tempest", the…

Creativity is one of the important skills of the twenty-first century and central to higher education (HE). When we look closer into research on creativity in HE, however, it is not clear how university teachers conceptualise student creativity. How do teachers grasp, observe and express student creativity? Different methods such as interviews and…

Generally, in the foundation course of architectural design, much emphasis is placed on teaching of the basic design skills without focusing on teaching students to apply the basic design concepts in their architectural designs or promoting students' own creativity. Therefore, this study aims to propose a concept transformation learning model to…

This research explores the emergence of student creativity in classroom settings, specifically within two content areas: science and social studies. Fourteen classrooms in three elementary schools in Korea were observed, and the teachers and students were interviewed. The three types of student creativity emerging in the teaching and learning…

This article presents an initiative that is based on active learning pedagogy by engaging elementary and middle school students in the toy design and development field. The case study presented in this article is about student learning experiences during their participation in the TOYchallenge National Toy Design Competition. Students followed the…

Author attempted to clarify the concept of "creativity" so that students might become more creative and teachers might realize more effective methods for stimulating student development. (RK)

Examples of mathematics objectives classified under the headings of creativity, understanding (second level), and evaluation are given. Assessing and redesigning curriculum in light of the objectives are discussed. (DT)

The author examines three teaching methodologies (repetitive, conceptual, and creative) and concludes that teaching should produce in students a balance of specific, convergent, and divergent thinking. If industrial arts educators limit teaching to known and accepted practices, programs and opportunities for young people are limited. (LH)

Aimed at advancement of the arts through improvement of education for both understanding and production, this long range basic research program dealt primarily with the study of the varieties and interaction of human abilities, the nature of the tasks involved in the several arts, and the available means for inculcating or fostering the abilities…

In a discussion of human institutions and modes of conduct, a basic analytical shift from absolutism to relativism is noted. From this frame of reference the conceptual changes in mathematics, the sciences, and esthetics are reviewed. The paper also discusses the implications of this change for the psychology of human thinking and for children's…