As digital technologies continue transforming the time and space boundaries that traditionally had been ascribed to different educational settings, the very notion of learning "context" also is being challenged in educational research literature. In this article, we contribute to this debate by offering an empirically grounded discussion…

Evaluated with 25 regular classes was the effectiveness of three curriculum teaching processes of developing creativity based on J. Gowan's rational-psychedelic continuum. (BB)

Creative arts programing for gifted and talented elementary students has incorporated academics (ecology, mathematics, history, genealogy, computer science, and independent research) into activities such as puppetry, creative drama, storytelling, dance, music, pottery, and poetry. The arts classes have been popular with students, parents,…

The first step in helping students to think more creatively is to create a safe and inviting atmosphere. A discussion of the basic skills of creativity: fluency, originality, flexibility and elaboration, lays the foundation for suggestions for developing creative thinking within the framework of the existing curriculum. (JD)

Three educational leaders--Robert Quackenbush, Geraldine Siks, and David A. Sohn--offer reflections on recent developments regarding activities that stimulate children's creativity, their hopes for the 1980s, and recommended books for teachers. (AEA)

The drama hike is a walk in the woods, in which children observe nature and engage in an imaginative search for a "lost civilization" or "strange creatures." Instructions cover scouting out the area beforehand, preparing the children, leading the hike, followup activities, suggestions for creative sites, ideas for language and…

Impromptu storytelling techniques are creative and interesting ways to introduce children to the adventure and allure of storytelling, which in turn aids their cognitive and social development. Presents several activities designed to elicit impromptu storytelling, including sentence stories, name tales, "every day is special" stories,…

Defining creativity as a process that draws upon talents, education, skills, thinking and working styles, and inherent intelligence, and pinpointing motivation as the single most important ingredient in the creativity recipe, this book provides dozens of concrete, hands-on exercises and techniques that can help a parent or teacher keep creativity…

Describes an entertaining approach to use in stimulating creative thinking in elementary science. (JMB)

This book is designed to be of assistance to primary school teachers who have had little training in arts and crafts and for use in teacher training colleges. Tested in Nigeria and Jamaica, this manual gives children an opportunity to develop their natural creativity, and also develops accuracy and manual dexterity in hand skills. Lesson plans are…

The classroom activities suggested in this resource booklet, proven successful by South Dakota poet Jack Kreitzer, are designed to spark or increase students' creativity by bringing the exciting language of poetry alive in the elementary and secondary classroom. Introductory comments present thoughts on what poetry is and how it should be taught,…

This pamphlet provides suggestions for teachers for using creative dramatics in the classroom. The contents include: "Dr. Edwin Land Considers the Nature of Creativity"; "Six Basic Principles for Using Creative Dramatics with All Children," which discusses tuning in the senses, listening and recording, pantomime, rhythms and movement, presenting a…

Creativity training materials were used with a group of elementary school children who exhibited academic, social or emotional problems. Study recommends increased use of such materials, with more time and attention allowed for group discussions and role-playing during these periods. (MK)

Describes a project for fourth graders based on a book by Shel Silverstein. After the teacher read and discussed the book with the students, they acted out the story and wrote original versions. Next, a professional painted an impressionist painting of the story. Finally, the students made their own paintings. (CB)

Twenty-eight profoundly hearing-impaired children were exposed to either a traditional approach to art education or a curriculum designed to develop creative abilities. Following 12 weeks of classes, the experimental group of children, aged 8-10, showed significant improvement on flexibility and originality. (Author/JDD)