Four teaching strategies are described. Secondary students do pop art sculptural forms emulating aspects of the forms of George Segal and Duane Hanson, do a sculpture of an everyday object, and create their own room-sized works. Elementary students do a sculpture in the style of Marisol. (RM)

Described is a demonstration to illustrate the storytelling qualities of "clayscapes" and to suggest just one of the innumerable sculptured environments that are possible with clay. Clayscapes are sculptures which are minilandscapes made of clay. (KC)

Three art activities are described. Intermediate and junior high school students made sculptures from geometric shapes cut from corrugated cardboard; eighth-grade students did freehand drawings using gridiron patterns; and junior and senior high school students studied antique valentines and then made their own. (RM)

In the first activity, which combines geometry, architecture, and sculpture lessons, intermediate and secondary level students make a sculpture from toothpicks. In the second activity fourth graders make a soft sculpture with fabric and yarn. Junior high students make animal sculptures from cardboard, newspaper, and twigs in the third activity.…

The author's art instruction for young Egyptian children focuses on design, creative expression, and appreciation of Egypt's unique artistic tradition. This article is one of several in this issue on art education in other countries. (SJL)

How third, fifth, and sixth graders made sculptures from polystyrene strips is described. Specific instructions for introducing the lesson are provided. (RM)

Offers a lesson that introduces students in grades seven-nine to a contemporary object which questions the definitions of furniture, painting, and sculpture. Shows how Rodney Alan Greenblat draws upon childhood memories for creative inspiration. Calls for students to produce an art piece that works as painting, furniture, and sculpture. (LS)

This resource kit, for secondary teachers of art, social studies, and the humanities, presents an art appreciation activities program that spans the visual art history of the United States. The kit is organized into nine chronological sections that follow the history of art in the United States: (1) Native American Art (prehistory to the present);…

Reviews research about young childrens' focusing on the ability to transform a perceived scene into another representation. Reports on a study of 109 children and 18 college-age students on their ability to mold a lump of clay into a three-dimensional figure. Finds that cognitive maturity alone does not automatically lead to competence. (CFR)

Responds to Claire Golumb's research on the cognitive development of young children's ability to create representations of reality using visual arts. Asserts that young children must find acceptable pictorial substitutes when producing representations. (CFR)

Identifies and discusses four instructional strategies that represent important aspects of studio instruction: (1) key ideas related to interpretive meaning; (2) knowledge transfer between the artist and the student; (3) personal connections between students' lives and subject matter; and (4) problem-finding. Includes illustrative examples. (MJP)