Reviewed are centering techniques to help gifted and talented students stimulate and further develop the ability to incubate, or to pay attention to the imagery continuously going on in the brain's right hemisphere. (CL)

Twelve gifted students (grades three through five) in a music and imagery training program scored higher on indices of figural originality, figural fluency, figural flexibility, and figural elaboration than gifted students in two packaged treatment programs: New Directions in Creativity Basic and New Directions in Creativity Enhanced. (CL)

The article focuses on the applications of the GENESA model (a life sized model of the geometry of a biological cell) in the enhancement of the creative processes during the stages of incubation, illumination, and verification, with emphasis primarily on the phase of incubation/imagery through potential illumination. (SBH)

Designed for senior high gifted and creative students, the unit focuses on developing creativity in imagery production and technical skills in filmmaking. Five lessons provide information on objectives, materials, and presentation activities for the following topics: color, dialogue, score, angles and shots, film critique, creative imagery, and…

There has been increasing attention to the role of intuition and creative imagery in programing for the gifted. Procedures that help develop the intuitive function are described and the relationship between creativity and imagery are noted. Classroom strategies for developing creativity and intuition are discussed. (Author/CL)

Presents longitudinal data on 92 creative young adults in grades 3 through 6 on Sounds and Images, a test of imagery, with four criteria of later creativity: (1) number of post-high school creative achievements, (2) number of creative life-style achievements, (3) quality of creative achievements, and (4) creativeness of career image. (CL)

Discussed is the identification and stimulation of creative imagination imagery. (Author/DLS)

Emphasizes the sense of immediacy which characterizes haiku and suggests a relationship between haiku and Zen philosophy. (RD)

The child's creative potential may be fostered in the classroom by (1) story-telling, (2) expressing interest in the child's attempts to write stories and poetry, (3) allowing freedom and time for the child's creative efforts and (4) helping the child to associate creative effort with pleasure. (NH)

The author suggests some approaches for facilitating the imagination and imagery activity essential to creative production in the visual and performing arts. Literature is reviewed on creative imagination imagery, the function of imagery, perception imagery and art, abilities and the visual performing arts, and facilitating the use of imagery.…

Imagery as it relates to creative imagination, incubation, and right brain activity, and as a subsystem of the General Systems approach, is discussed in terms of gifted education. Considered are the theories of G. Land (transformation theory), J. Gowan (developmental stage theory), and J. Eccles. (SBH)

The article describes two one-hour sessions in image making, which serves as the foundation of the creative language arts program used by the author in teaching poetry and writing to children (grades K through 5). (SBH)

Seven principles are presented for improving creative thinking, based on assumptions of creativity as a perceptual shift resulting from a metamorphic mental image. Principles include (1) the future initiates and pulls creative thought; (2) initial fact finding is best postponed; (3) problem redefinition is often retrospective; and (4) metaphors…

Adding to the benefits of using metaphors as tools, "analoguing" (a method of analysis that focuses on metaphors for meanings in use and meanings of metaphors in use) helps avoid excessive categorization and separation by looking for unities and patterns in phenomena rather than for divisions. Six months of observation of patterns of…

Explores the notion of imaginative development. Defines imagination through a review of literature of music, religion, and aesthetics. Suggests that imagination precedes creativity and involves perception, intuition, thinking, and feeling. Describes a developmental sequence based on research. Proposes ways to cultivate imagination through music.…