Proposes a heuristic to generate specific and vivid phrasing and to draw on the right hemisphere of the brain for the substance of the essay. Describes stages of process as DRAW (Delineate, Ruminate, Analogize, and Write). Emphasizes creative description and expressive language rather than generation of ideas. (JG)

This book focuses on the integration of an individual's inner and outer landscape. It contains a series of invitations for young people to look out upon their own landscapes and to write the important themes of their lives. The writing experiences outlined in the book give children (and adults) space to become quiet and focused and to tap into…

The fourth part of a four-year K-12 curriculum guide project for teaching writing, this guide deals with the literary aim (or purpose) for creating composition--which challenges the individual to develop a creative style found in the novel, short story, drama, or poem, and which encompasses both fiction and nonfiction. The preface explains that…

Discusses the philosophy of publishing high school student writings in "English Journal," and calls for submissions. Prints a student short story, analyzes its merits, suggests ways to use it for teaching, and approaches to revision. (JG)

Intended for teachers, students, and writers, this guide provides exercises for improving writing techniques and using literary devices. Following an introduction, the six chapters deal with the following techniques: (1) describing place, including observation and exaggeration; (2) describing people, including "inside/outside" portraits and…

As the inexperienced writer becomes aware of the issues involved in the composition of effective descriptive prose, he also develops a consistent control over his materials. The persona he chooses, if coherently thought out, can function as an index of many choices, helping him to manipulate the tone, intent, and mood of this style; to regulate…

By following the "steppingstone" or marker theory of dividing one's life into no more than 12 and no less than 8 significant periods, a student in a writing course can develop a brief response for each phase to articulate multiple experiences. Writing teachers can aid students in realizing that important life experiences are the stuff of…

To teach students how to write in a contemporary style, a secondary-school English teacher must be able to describe adequately the kind of writing he expects. Since many modern writers frequently ignore the guidelines proffered in traditional writing handbooks, the "new rhetoric"--a descriptive approach to composition that substitutes…

This book presents a program for increasing the student's command of language through the experience of writing poetry. Designed to encourage students to systematically and accurately transform their experiences into brief expression, the program is divided into two sections--introductory and advanced. Each of the sections is composed of units on…

ADDRESSED TO THE JUNIOR HIGH SCHOOL STUDENT FACED WITH A POETRY-WRITING ASSIGNMENT, THIS BOOK PRESENTS THE ARGUMENT THAT "POETRY IS FOR YOU." INDIVIDUAL CHAPTERS TREAT (1) THE EXPRESSION OF SENSORY IMPRESSIONS, (2) RHYTHM, (3) THE PICTORIAL NATURE OF POETRY, (4) HUMOROUS POETRY, (5) REVISION, AND (6) VARIOUS DEFINITIONS OF POETRY. A "KINDLE KIT"…

The purposes of this study were (1) to investigate the effectivenss of activities centered around children's literature on pupils' use and understanding of figurative language, (2) to study the effect of the activities on pupils' reading vocabulary and comprehension, and (3) to examine the relationship of age, sex, IQ, and socioeconomic status to…

Arranged into four parts, the paper offers practical and motivating techniques for using the dime novel in high school classrooms, particularly in the study of women's history. The first part of the paper describes the historical background of the dime novel that was originally intended to entertain the reading public with fast-paced action, high…