Encouraging exploration and practice, this book offers hundreds of exercises and numerous tips covering every step involved in creating poetry. Each chapter is a self-contained unit offering an overview of material in the chapter, a definition of terms, and poetry examples from well-known authors designed to supplement the numerous exercises.…

Offering the notion of writing pedagogy as a "bazaar with many booths," this collection of articles on teaching creative writing is focused on applicability to all levels of instruction. The 10 articles, after a Foreword by the editor, are, as follows: "Before Writing: Remember What Makes Writing Easy" (Donald M. Murray);…

An instructor who teaches composition, poetry, and creative nonfiction at Delta Community College in central Michigan language makes connections and helps people imagine their way fully into subjects. People have a deep, if unconscious and unfocused, need to discover and tell the truth. For one semester his students act like writers. They keep…

Most performer-writers accept the writing process simply as a means to an end: the shared performance event with a live audience. While writer-performers regard a script as more important than the performance, a solo performance is, however, a showcase of the artist's talent, and creating one's own text offers the performer artistic control. Some…

Writing in the first person is not usually tolerated in academic writing under the illusion that the third person insures some kind of objectivity. But writing in the first person is honest, permitting the reader to know that what is being said is a matter of opinion. It is a direct way of speaking about what a writer sees or feels or thinks, and…

Frequently, writing students are so concerned with correct grammar and mechanics that their essays are stilted and dry. Their writing is further hampered by rhetorical formulas that describe what the structure of the essay should be when it is finished but not how to go about writing it. Can poetic invention strategies help produce better essays?…

This collection of transcriptions of taped interviews with 19 successful writers of adolescent literature, among whom are Judy Blume, Vera and Bill Cleaver, Isabelle Holland, and Paul Zindel, attempts to provide answers to questions about the nature of writing and of writers. Subject areas covered in the transcripts include how and when the…

Group creative writing activities encourage foreign language students to participate on various levels as thinkers, writers, readers, and critics. Students stimulate, correct, and give feedback to each other about writing skills. (CB)

Discusses the problem of how best to teach creative writing, including the theory that creative writing teachers should teach critical, analytical reading of already published works. (DF)

Describes observations of one student's writing process and the ease with which the student transformed prose into poetry. Discusses what the teacher learned from the observations about the sensitivity and energy of eighth-grade writing students. (HTH)

Describes a program of creative writing and describes student objectives and teacher objectives that allow the experience to aid students in producing critical essays. (CRH)

The data gathered for this study does not support the hypothesis that second grade students, when they write, do not borrow characters, settings, elements of a story, authors' styles and information from nonfictional literature. Students writings were studied to determine the extent of the borrowing, and to answer the questions: (1) Did the…

Presents the formula for writing poetry as containing three elements: the content of the poet's mind; the poetic medium--language; and the creative spark that fuses experience and language, or content and medium, into poetry. (MM)

Presents poetry written by children to illustrate the valuable qualities that result from children's lack of sophistication and their inherent freshness of vision. (JL)

Uses a model of the writing process to analyze the writing of a 13-year-old boy and to shed further light on writing as process rather than product. (RL)