The author identifies and describes what he regards as 25 of the most significant outcomes or products of 25 years of creativity research. Some were selected for the influence they have had on educational practices; others were selected for their potential in making a difference in future educational practice. (JN)

This paper explores definitions of creativity, theories and models of creativity, and the classic stages of creativity. Creativity is best defined in terms of an interactive process. The creative process in adults often results in creative and useful products, and such creativity is judged in terms of their quantity and quality of patents,…

Identifies four characteristics of the creative endeavor: (1) musical imagination; (2) model of the creative process; (3) measures of creative aptitude; and (4) the observation of creative behavior. Examines the role of technology in creativity, and contends that creative thinking can be measured. Includes suggested readings. (RW)

This paper suggests that there are ways to organize the literature, both within music and in related fields of study, so that the interested professional can engage in an active organized study of creative thinking in music. There are also ways of defining musical behaviors that are indicative of creative thinking in children as well as adults.…

The aim of this paper is threefold: (1) to develop a concept of what creativity is (with particular reference to what musical creativity is); (2) to decide whether or not creativity is a plausible educational goal; and (3) to suggest what might be done to either promote or discourage musical creativity based upon the results of the first two…

This study explores the usefulness of a creativity construct for arts education. It is hypothesized that an arts orientation is a valid personality construct, that this orientation is correlated with contrasting cognitive skills, and that these skills are manifested in creative behaviors. Sixty-five high school seniors were given the ACT Interest…