The purpose of this article is to provide examples of business concepts appearing in science fiction, offering accounting and business educators a means to engage students and allow students to make connections with business concepts outside of the strict business realm, resulting in increased long-term learning. To accomplish this, the "Star…

This paper highlights the results of a project, in which a group of students, who were enrolled in an African American film criticism course at a large university in Southern California, participated in a community engagement project that incorporated visual and media literacy skills acquired in the classroom setting. The parameters of the project…

This article synthesises an investigation of the making of a didactic programme as a consequence of the excess of consumption of audiovisual messages and the non critical and non-thoughtful attitude the youngsters have towards it. As an answer to this problem, the authors have produced a didactical programme about cinema and its language, the main…

Three recent movies about war are examined. All have been honored by critics and welcomed by audiences. The three movies are very different from one another. They reflect different ways of thinking and feeling about war. More specifically, they represent ways we relate to the troops we send into battle and our concerns about whether we have done…

This article begins by recognizing the increasing use of film in Religion, Theology, and Bible courses. It contends that in many Biblical Studies (and Religious Studies and Theology) courses, students are neither taught how to view films properly, nor how to place films into constructive dialogue with biblical texts. The article argues for a…

Certain popular films contextualize the access, use, and interpretation of information within a political and social framework. As a result, these films function as alternative pedagogical sites for analysis and critique, facilitating critical thinking about information beyond the library and the classroom, and leading students to a deeper…

Five Frameline short films by and about LGBT youth's coming-out narratives are reviewed by a professor and his (under)graduate university students studying visual culture and the socio/cinematic construction of (homo)sexualities. Respondents collectively found the group of films moving and well suited for viewing by middle- and high-school-age…

This paper examines the portrayal of women university academics in American films from the 1940s. It applies analytical tools from a critical methodology to access the socio-cultural ideas and values attributed to the female professoriate during what is a period of great change for women in American society. This analysis reveals that the values…

According to Glanz's early research, school principals have been depicted as autocrats, bureaucrats, buffoons, and/or villains in movies from 1950 to 1996. The purpose of this study was to determine if these stereotypical characterizations of school principals have continued in films from 1997-2009, or if more favorable images have emerged that…

In this dissertation I investigated how teachers interpreted intercultural differences and tensions embodied in fictional short stories and films. Participants in the study were 14 English teachers from China, South Korea, and the United States. My key research questions were: How are cultural differences understood and articulated by teachers…

Argues that a study of adaptation affects the view of Douglas Sirk as a creator of social critique. Proposes interventions into adaptation studies and critical response to Sirk by attending to multiple activations of "All That Heaven Allows." Demonstrates the importance of the archaeology of film studies criticism to an understanding of…

Argues that teachers who use film in the English classroom need to be aware of its conventions and apply these conventions to critical analysis. Discusses camera angles, distance, composition, lighting, camera movements, editing, and sound. (SR)

Discusses the value to film studies of a 1971 publication, "The World Viewed," a serious study of film which was not well received by the field and whose usefulness is still almost unknown. Finds that the author, Stanley Cavell, endeavors to find words of a common language and that his writings exemplify the importance of intuition and…

Argues that a postmodern theory of identity (i.e., the subject as coherent, integrated, discoverable self is a fiction of modernity) links Martin Scorsese's major films. Examines "Taxi Driver,""Raging Bull," and "King of Comedy." Concludes that these films articulate a major cultural shift and chronicle a…

Explores how teachers can help their students look for meaning in the visual media. Presents the theory that students object to looking for meaning in certain forms of visual media, because they dislike having their world complicated with unnecessary interpretive searching. Discusses the results of several class exercises adapted from David…