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Barrett, Janice M. – 1995
A study of Channel One, the 10 minutes of television news programs and 2 minutes of commercials in classrooms, described the opinions and evaluative comments of participant teachers, librarians, administrators, and students. Individual interviews and focus group discussions were conducted at eight secondary schools (four in Florida and four in…
Descriptors: Critical Viewing, Focus Groups, Interviews, Mass Media Use
Semali, Ladislaus – 1997
This paper introduces five concepts that guide teachers' and students' critical inquiry in the understanding of media and visual representation. In a step-by-step process, the paper illustrates how these five concepts can become a tool with which to critique and examine film images of indigenous people. The Sani are indigenous people of the…
Descriptors: Critical Thinking, Critical Viewing, Cultural Images, Ethnic Groups
Ritchey, David – 1995
Opening in 1981 to moviegoers in Japan, France, and the United States, "The Gods Must Be Crazy" became an international hit. Set in Botswana, the film covers a relatively small geographic area yet nevertheless can open classroom discussions about how many cultures and how much cultural diversity can exist in a small area. It has three…
Descriptors: Audience Response, Critical Viewing, Cultural Awareness, Cultural Differences
Kauppinen, Heta – 1991
Art education can be used as a focal point in studying peace education and gender issues. One aspect of peace education is the field of human relations and that can include issues of gender. Basic concepts of patriarchy, sexism, feminism, and women's liberation can be studied through art. Finnish art education curriculum provides three areas for…
Descriptors: Art Appreciation, Art Education, Art History, Audience Response
Aiex, Nola Kortner – 1989
Although schools in many countries have initiated mass media education, American schools still give little consideration to any systematic study of the mass media. Students are particularly in need of learning how to apply basic critical viewing concepts to watching television, the most powerful and ubiquitous of the mass media. Most researchers…
Descriptors: Audience Response, Critical Viewing, Curriculum Development, Evaluative Thinking

Hepburn, Mary A. – Social Education, 1990
Cites recent survey data on sources of news. Claims that a television is by far the dominant source. Discusses implications of this fact for social studies education. Tables and charts of data on news sources are included. (DB)
Descriptors: Citizenship Education, Critical Viewing, Educational Research, Information Sources

Considine, David M. – Social Studies, 1989
Considers three approaches to using entertainment films in history and social studies classes. Provides a list of Hollywood films currently available on videotape and a list of books, articles, and journals dealing with the role of film in society. (GG)
Descriptors: Bibliographies, Critical Thinking, Critical Viewing, Filmographies
D'Ignazio, Fred; Blau, Cheryl – Instructor, 1992
A classroom teacher and media expert explain why television reaches students in ways that other media cannot (it brings the curriculum to life, speaks to today's students, and is immediate). The article includes tips for taking charge of the channels. A spring 1992 instructor's program guide lists educationally beneficial programs. (SM)
Descriptors: Childrens Television, Critical Viewing, Educational Television, Elementary Education
Dunn, Judy Lee – Instructor, 1994
Presents activities to help teachers address the needs and behaviors of students raised on television; includes resources to help teachers use television productively in the classroom, a send-home reproducible on children and television violence, and notes on an interview with Shari Lewis and television tips for primary students. (SM)
Descriptors: Class Activities, Critical Viewing, Elementary Education, Elementary School Students

Lindblom, Kenneth J. – English Journal, 1991
Describes a course designed to challenge students to look at the way they are influenced by the mass media. Provides details of the procedures for forming the cooperative groups, the material used, the issues discussed, and the students' responses. (PRA)
Descriptors: Citizenship Education, Citizenship Responsibility, Course Descriptions, Critical Viewing

Neuman, Susan B.; And Others – Journal of Educational Research, 1990
In this study, the effects of previewing on children's (N=87) comprehension of a televised story were investigated. Results indicate that previewing may be an effective mediational technique for enhancing children's comprehension and retention of plot-essential information from a televised story. (Author/IAH)
Descriptors: Advance Organizers, Analysis of Variance, Comprehension, Critical Viewing

Matthews, Catherine E. – Science Teacher, 1994
Explains how watching video clips of Richard Feynman helped students change their ideas regarding science, scientists, and society. (PR)
Descriptors: Critical Viewing, Educational Technology, High Schools, Interactive Video

Legg, Pamela Mitchell – Religious Education, 1997
Suggests that contemporary films can be used by educators to engage people in religious exploration. Argues that viewers should engage in a conversation with film at the levels of content and cinematography. Discusses four types of film study and examples of films that can be used in each. (DSK)
Descriptors: Audiovisual Aids, Critical Viewing, Curriculum Development, Educational Media

Soleil, Naome – Journal of College Reading and Learning, 1999
Presents a study of reflective reading using visual texts, where 12 adult literacy students begin to develop skills in teleliteracy by "reading" the texts for meaning by discussing characters, plot, setting, and theme in four edited segments. Finds that television can provide a bridge to link oracy and literacy when used as an educational tool in…
Descriptors: Adult Basic Education, Adult Literacy, Audiovisual Instruction, Case Studies
Boggs, Joseph M. – 1996
This guide aims to help students sharpen powers of observation, develop the skills and habits of perceptive watching, and discover complex aspects of film art. Organized in 16 chapters, the text, which focuses on narrative film, discusses film analysis in chapter 1 and establishes a foundation for understanding theme and story in chapters 2 and 3.…
Descriptors: Critical Viewing, Film Criticism, Film Study, Higher Education