The advent of large language models (LLMs) such as ChatGPT and text-to-image generation systems like DALL-E developed by OpenAI has raised critical questions in education and art communities, urging us not only to reconceptualize our understanding of creativity, authorship, and human--machine relations, but also to examine their social and ethical…

This article describes a culture-based art curriculum for preservice elementary education majors which incorporates activities through which they can explore, cultivate, and foster creativity, aesthetic awareness and self-expression through cultural awareness, understanding, representation, and identity. The author utilizes visual culture theory…

Criticizes the approach towards literacy taken by E. D. Hirsch, Jr. in "Cultural Literacy: What Every American Needs to Know." Compares Hirsch's list of "What Literate Americans Know" with lists in books on trivia. Expresses concern about the narrow sense in which Hirsch conceives context in relationship to literacy. (LS)

Offers a full-color reproduction of Edward Hicks' painting, "Peaceable Kingdom of the Branch," and a lesson plan for using it with children in grades K through 3. (JDH)

Author examines the social patterns of the future and makes suggestions for educational and social development. He further states that if aesthetic educators are to have a role in the direction of future art studies, imaginative and systematic thinking must begin. (Author/RK)

This article explains why global education should be part of art education. Defines global education and offers examples of how art teachers can add an affective dimension to cross-cultural studies. Includes a three-step instructional model and two sample lessons. (JDH)

Focuses on multicultural education/art and visual culture education addressing the issues of history, heritage, tradition, culture, personal cultural identity, multiculturalism, multicultural education, and social reconstruction approaches. Provides six position statements for multicultural art and visual culture education and a curriculum…

Provides a full-color reproduction of Pieter Paul Rubens' painting, "Prometheus Bound," and a lesson plan for using it with students in grades 10 through 12. The goal of the lesson is to introduce students to the techniques of design and execution used by Rubens. (JDH)

Points out that the word "style" can mean how an object is designed or how to identify a particular artist, group, culture, or movement. Illustrates four artworks from the Minneapolis Institute of Arts. Provides background information and questions for students to analyze, interpret, and create artwork. (KM)

Offers a full-color reproduction of Jacopo del Sellaio's painting, "The Adoration of the Magi," and a lesson plan for using it with children in grades four through six. The goal of the lesson is to familiarize students with the concept of symbolism and its use in early Christian art. (JDH)

Provides a full-color reproduction of George Bellows' painting, "Edith Cavell," and a lesson plan for using it with students in grades seven through nine. The goal of the lesson is to familiarize students with the American Realist painting style. (JDH)

Presents a prospective view of art education by examining the literature of past events. Outlines the three stages of the art education evolutionary process: (1) establishing guidelines for discipline-based art education (DBAE); (2) questioning the assumptions of DBAE by critics; and (3) resolving previously raised issues. (KM)

Discusses how students can examine artists' use of clothing to express ideas about cultural values, lifestyle, and design. Features four, culturally different, artworks from the Art Institute of Chicago. Outlines instructional methods for discussion, creative writing, and art production. (KM)

Characterizes women's handwork (needlepoint, beadwork, embroidery, crocheting) as a valid means of artistic expression and an integral part of women's culture. Discusses the varieties of handwork and their relationships within local cultures. Recommends using these objects as focal points for studying art, local history, or social studies. (MJP)