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Hume, Natania – Independent School, 2015
Context is everything. Very little in art or in history (or in life) happens in isolation, although works of art and events in history have been studied this way. This is especially true of the arts, which are so intrinsically connected to the cultures from which they emerge. This essential interconnectivity was also the premise behind the design…
Descriptors: Curriculum Development, Art Education, Classroom Design, Student Projects
Inwood, Hilary J.; Taylor, Ryan W. – International Electronic Journal of Environmental Education, 2012
Environmental art education is growing in popularity in college and university programs as the arts begin to play a more prominent role in environmental and sustainability education. As this emerging field of study is an interdisciplinary endeavor that draws from the more established fields of visual art education and environmental education,…
Descriptors: Creative Teaching, Environmental Education, Curriculum Development, Teaching Methods
Cempellin, Leda – Journal of Effective Teaching, 2012
This article focuses on the structure, challenges, and outcomes of a service-learning project experimented by an art historian in an innovative special topics course Museum Experience, cross-listed with an Honors art appreciation course. The discussion includes: creating a new course content planned according to a multidisciplinary perspective…
Descriptors: Service Learning, Arts Centers, Museums, Honors Curriculum
Lynch, Jill C. – Teacher Education Quarterly, 2012
This article explores the ethical, methodological, and practical issues of translating critical theory and research into praxis through a case study analysis of a graduate capstone seminar that explored the familiar, and seemingly benign, concepts common to educational discourses: "Creativity, Collaboration, and Community." The author…
Descriptors: Critical Theory, Teacher Educators, Educational Research, Praxis

Clark, Laurie Beth – Theatre Topics, 2003
Considers the relevance of a semester length curriculum in Performance for Art and Theatre students. Contends that art majors in performance classes learn to value more ephemeral content, to work with time, and to think explicitly about audience, while theatre majors have an opportunity to engage with original, personally expressive content and to…
Descriptors: Course Descriptions, Curriculum Development, Educational Objectives, Higher Education
Cunico, Gerald – 1983
This curriculum guide is designed to assist teachers in junior high and high schools in New Mexico to improve the quality of instruction and to prepare a new curriculum in communications that is consistent with current thinking in industrial arts education. This communications curriculum is designed for one year or 180 hours of instruction, with…
Descriptors: Classroom Techniques, Communications, Course Content, Course Descriptions

Haynes, Deborah J. – Art Education, 1995
Maintains that postmodernism is a complex set of cultural and historical phenomena that is easy to discuss, but difficult to describe or to teach adequately. Outlines undergraduate and graduate seminars in art education that focused on postmodernism and the visual arts. Includes student comments about the course. (CFR)
Descriptors: Art Education, Art Products, Art Teachers, Artists