"Musical Futures" is an approach to music education grounded in the principles of informal learning. Research has shown that "Musical Futures" has profoundly impacted teaching and learning in music, pupil engagement and educational strategies for music (Green, Lucy. 2002. "How Popular Musicians Learn: A Way Ahead for Music…

Music education should be conceived as aesthetic education which is devoted to the systematic development of musicality. Music education curricula should incorporate contemporary psychological methods which encourage creativity while focusing on the nature of music meaning and expression and the development of the capacity for musical response.…

This document on course goals in music is one part of a critique series dealing with the development and evaluation of course goals in six subject matter areas for grades K-12. The series provides an initial pool of course-level goals that are expected to be of considerable value in assisting educators with goal definition related to curriculum…

This document is a South Carolina curriculum model that identifies four broad areas of study. These components, which should be present in all music education courses, are: (1) aesthetic perception and concept development; (2) creative expression and skills development; (3) music heritage, both historical and cultural; and (4) aesthetic valuing,…

The Music Educators National Conference sponsored a 3-day intensive research training program in 1969 to prepare participants for research in curriculum development and evaluation. Major objectives of the program, in which 222 music educators participated, were to train each participant to be able to (1) write an educationally useful statement of…

This document describes Kentucky's comprehensive plan for arts in the elementary and secondary school curriculum. Major objectives of the plan are to incorporate knowledge and appreciation of the arts and to help students develop skills related to art and music at every grade level. The plan was devised to respond to a perceived lack of…

The guide was designed to aid administrators and teachers in creating, organizing, and staffing music programs for students in middle schools or grades 5-8 in Oregon. It is presented in four parts. Part I describes the unique features of the middle school. The environment and students are in a period of change, and teachers must have certain…

Contends that a number of music educators believe that music should be taught in the same rigorous, sequential, and comprehensive way that other subjects are taught. Asserts that critical thinking skills and interpretation are essential factors in this process. Recommends cooperative learning and portfolios as appropriate instructional strategies.…

Profiles music scholar Charles L. Seeger and his contribution to U.S. musical life. Seeger played a significant role in introducing vernacular music to schools, extending the definition of U.S. music in the curriculum, presenting music as a cultural subject, and promoting musical diversity in the classroom. (MJP)

The document presents 23 syllabi for undergraduate humanities courses treating black culture in the 20th century. This second volume of syllabi was prepared by participants in a 1982 Humanities Institute at Spelman College as part of a National Endowment for the Humanities (NEH) grant. The document contains 23 syllabi designed to cover the history…